★★★★✰ Marina Harss with thoughts/observations on La Valse, Other Dances, After the Rain pas de deux, Agon, Monumentum Pro Gesualdo, Movements for Piano and Orchestra and Chaconne.
Tag - Christopher Wheeldon
★★★✰✰ New York City Ballet’s fall season in New York continues with Opus 19/The Dreamer (Robbins), Russian Seasons (Ratmansky) and Amaria - a new piece for Maria Kowroski, who is about to retire from the company, by Mauro Bigonzetti.
★★★★✰ "Boy is it good to be in the presence of dancers and musicians again." concludes Marina Harss review of New York City Ballet’s fall season opening performance.
★★★★✰ The full bill features: The Sleeping Beauty Act III, Anemoi (new Valentino Zucchetti), Divertissements: Morgen (Wayne McGregor), Winter Dreams pdd, After the Rain pdd, Woman with water (Mats Ek and new to RB), Voices of Spring pdd.
★★★✰✰ With works from Christopher Wheeldon (Within the Golden Hour), Kyle Abraham (Optional Family: a divertissement - a premiere) and Crystal Pite (The Statement & Solo Echo)
A quad bill featuring a premiere by Kyle Abraham (as yet unnamed) along with works by Crystal Pite and Christopher Wheeldon.
★★★★✰ I had missed SFB’s London season at Sadler’s Wells in 2019, so was pleased to catch up with ballets brought together for this digital triple bill.
★★★★✰ Program 3 features all-British choreographers: Peter Wright, Peter Darrell, Christopher Wheeldon, Matthew Bourne and Kenneth MacMillan. The exception is a solo by American Dominic Walsh, created for his own contemporary dance company. ...Some of the selections are probably unfamiliar to American audiences, as well as to British ballet fans of a younger vintage.
There’s no way around it: it’s been a miserable year for the performing arts here in the US... But still, there were highlights, moments in which for whatever reason, some spark illuminated the soul...
★★★★★ Thank you, Royal Ballet, for giving so much pleasure in trying times.
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
★★★★✰ The Fall for Dance festival is an all digital affair this year and Program 1 included striking and heartfelt premieres by Jamar Roberts and Christopher Wheeldon...
There was a rush of emotion at seeing these extraordinary dancers doing the thing they do best. Their energy, precision, and drive, the way they change the space around them, is inspiring...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
As lockdown eases ballet is getting out of streaming from living rooms and into the big wide world - Jann Parry looks at six happenings/films involving dancers from Dance Theatre of Harlem, New York City Ballet, San Francisco Ballet, Alonzo King LINES Ballet & The Royal Ballet
★★✰✰✰ Strasbourg 1518 has been lauded as 'head buttingly confrontational' and an original 'dance for today'. It isn't. Familiar Bausch tropes don't really reflect 1518's psychogenic mania, which was communal, or today's experience of isolation, stress and tedium.
★★★✰✰ Wheeldon has woven a lot of narrative threads into his ballet spectacular.
★★★★✰ The singers had the lions' share of the concert, with just two pas de deux by Royal Ballet couples, Matthew Ball and Mayara Magri, Reece Clarke and Fumi Kaneko.
★★★✰✰ The Joffrey Ballet brought a program of four diverse works. Peck’s Times was a hit as was Christopher Wheeldon’s Commedia. The other two works weren’t misses per se...
★★★✰✰ In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck...