★★★★✰ The Fall for Dance festival is an all digital affair this year and Program 1 included striking and heartfelt premieres by Jamar Roberts and Christopher Wheeldon...
Tag - Christopher Wheeldon
There was a rush of emotion at seeing these extraordinary dancers doing the thing they do best. Their energy, precision, and drive, the way they change the space around them, is inspiring...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
As lockdown eases ballet is getting out of streaming from living rooms and into the big wide world - Jann Parry looks at six happenings/films involving dancers from Dance Theatre of Harlem, New York City Ballet, San Francisco Ballet, Alonzo King LINES Ballet & The Royal Ballet
★★✰✰✰ Strasbourg 1518 has been lauded as 'head buttingly confrontational' and an original 'dance for today'. It isn't. Familiar Bausch tropes don't really reflect 1518's psychogenic mania, which was communal, or today's experience of isolation, stress and tedium.
★★★✰✰ Wheeldon has woven a lot of narrative threads into his ballet spectacular.
★★★★✰ The singers had the lions' share of the concert, with just two pas de deux by Royal Ballet couples, Matthew Ball and Mayara Magri, Reece Clarke and Fumi Kaneko.
★★★✰✰ The Joffrey Ballet brought a program of four diverse works. Peck’s Times was a hit as was Christopher Wheeldon’s Commedia. The other two works weren’t misses per se...
★★★✰✰ In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck...
★★★★✰ San Francisco Ballet’s Program 2 was dubbed Classical Re(Vision) – a remembering of and reconnection with choreography in SFB’s existing repertory catalogue.
★★★★✰ There was always something new around the corner, a surprising shape, a witty step, an unlikely transition. It’s clear that Ratmansky felt liberated by the unusual structure and soundscape...
★★★★✰ 'Spellbound' delivered in every regard – opulent grandeur, terrific people watching and above all, marvelous dance.
★★★✰✰ Kudos to Lovette for really going out on a limb... The Shaded Line feels truly her own, and it’s clear that she has much to say about her chosen profession...
★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
★★★✰✰ Norwegian National Ballet 2 at the ROH Young Talent Festival with 5 works - Departures, Valse-Fantaisie, Pas de Sept from A Folk Tale, Some See Stages, Left from Write
★★★★✰ It’s been a treat to see so much new work made specifically for a company. The dancers are free, unburdened by the weight of history and expectation, with no comparisons to be made to famous past performers or interpretations. It’s all theirs.
★★★★✰ A spectacular show, full of colour, humour and romance...
★★★✰✰ A very mixed bill... Sidi Larbi Cherkaoui's Medusa (★★✰✰✰), Christopher Wheeldon's Within the Golden Hour (★★★★✰) and Crystal Pite's Flight Pattern (★★★★✰)
Works by Sidi Larbi Cherkaoui, Christopher Wheeldon and Crystal Pite. Gallery by Foteini Christofilopoulou...
We quickly catch up with choreographer Ruth Brill about her latest work for BRB, how she creates and what else she is up to... she's a busy bee!