"Sadler’s Wells" tag
Parvaneh Scharafali and Rauf Yasit in Seventeen/Twenty One.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – William Forsythe: A Quiet Evening of Dance

Gallery by Foteini Christofilopoulou…

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Carlos Acosta.© Johan Persson. (Click image for larger version)

Carlos Acosta – Dancer, Directer, Choreographer: ‘I am a man on a mission – I always have been’

“That’s what it’s always been about for me – the necessity to connect with an audience and express myself.”

Tamara Rojo and James Streeter in Dust by Akram Khan.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Lest We Forget bill – London

★★★★★   “I cannot recall being so moved at a dance performance for a very long time, if ever.”

Natalia Osipova in in the studio preparing for Pure Dance.© Alastair Muir. (Click image for larger version)

Natalia Osipova – Pure Dance – London

★★★✰✰   No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…

Pierre Rigal's Compagnie Dernière Minute in Scandale.© Pierre Grosbois. (Click image for larger version)

Pierre Rigal – Scandale – London

★★★✰✰   Rarely seen in London apart from performances at Breakin’ Convention, French choreographer Pierre Rigal brings something different to the hip-hop dance theatre scene with Scandale.

Luna Manzanares Nardo in Carmen La Cubana.© Foteini Christofilopoulou. (Click image for larger version)

Carmen La Cubana – London

★★★★✰   Far from being just one more interpretation of the ubiquitous Carmen, this Cuban version is a unique retelling of the popular narrative, superbly performed.

Albita Rodriguez in Carmen La Cubana.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Carmen La Cubana

Gallery by Foteini Christofilopoulou…

Nederlands Dans Theater in The Statement.© Foteini Christofilopoulou. (Click image for larger version)

Nederlands Dans Theater – Shoot the Moon, Woke up Blind, The Statement, Stop-Motion – London

★★★★✰   World-class dancers… it’s the dancers’ polish and power that raises all they do up another level.

Nederlands Dans Theater in Stop-Motion.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Nederlands Dans Theater in Stop-Motion and The Statement

Works by Crystal Pite, Sol Leon and Paul Lightfoot. Gallery by Foteini Christofilopoulou…

Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

Paul Lightfoot.© Rahi Rezvani. (Click image for larger version)

5 questions for Paul Lightfoot, Choreographer and Artistic Director of Nederlands Dans Theater

Nederlands Dans Theater is paying London’s Sadler’s Wells a short visit (26-29 June) with an interesting bill of works by Crystal Pite, Marco Goecke & the duo Paul Lightfoot & Sol Leon.

Semperoper Ballett in Enemy in the Figure.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Semperoper Ballett in All Forsythe triple bill

Featuring “Enemy in the Figure”, “Neue Suite” & “In the Middle, Somewhat Elevated”. Gallery by Foteini Christofilopoulou…

Alexandra Waierstall's And here we meet.© Katja Illner. (Click image for larger version)

Alexandra Waierstall – And here we meet – London

★★✰✰✰   Waierstall explores themes of extinction through the impact of humans on the earth’s geology and ecosystems. While thematically and visually intriguing, And here we meet lacks coherence…

Brandon Lawrence and Delia Matthews in Embrace.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Polarity & Proximity: Kin., Embrace, In The Upper Room – London

★★★✰✰   Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity…

Brandon Lawrence, with Lachlan Monaghan, Haoliang Feng and Aitor Galende in Embrace.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in Embrace and Kin

BRB in George Williamson’s new “Embrace” and Alexander Whitley’s 2014 hit “Kin”. Gallery by Dave Morgan…

Yasuo Atsuji and Nao Sakuma in Romeo and Juliet.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in Romeo and Juliet

With Nao Sakuma and Yasuo Atsuji in the lead roles. Gallery by Dave Morgan…

Momoko Hirata in Romeo and Juliet.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Romeo and Juliet – London

★★★★✰   It was a fine team performance from the company but particular honours go to Momoko Hirata’s Juliet who let us know what she was thinking and feeling at every moment.

Joy Alpuerto Ritter in BABAE.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Akram Khan Company in Portraits in Otherness

Works by Ching-Ying Chien, Maya Jilan Dong, Dickson Mbi, Joy Alpuerto Ritter. Gallery by Foteini Christofilopoulou…

Boy Blue in A Night with Boy Blue.© Foteini Christofilopoulou. (Click image for larger version)

Boy Blue – A Night with Boy Blue – London

★★★✰✰   The annual celebration of all things Boy Blue fielded 138 dancers this year – Kenrick Sandy and Michael Asante’s company is one that can wow you through sheer force of numbers alone.

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