★★★✰✰ Program 5, titled Lyric Voices, welcomed back Trey McIntyre’s Your Flesh Shall Be a Great Poem and Christopher Wheeldon’s Bound To and the new work came from Yuri Possokhov...
Tag - San Francisco Ballet
★★★✰✰ The performance was thrilling ...because it marked the Aurora debut of soloist Wona Park, whose Kitri debut in the season-opening Don Quixote got loads of buzz. At just 19, she dances with an ease beyond her years...
★★★✰✰ Where the ballet takes off is when there are only two or three major characters on stage and then Marston clearly shows intentions and emotions and the dancing becomes rich and telling, clever and gorgeous.
★★✰✰✰ Could Liam Scarlett's monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.
Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…
★★★✰✰ I was thrilled to see Snowblind returning. It was by far my favorite offering of last year’s Unbound Festival because it captivates on every level: potent storytelling, emotive choreography, fitting design tropes and deep character development.
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
★★★★✰ Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.
★★★★✰ I’m a Nutcracker fan. And I’m a fan of San Francisco Ballet’s current production, choreographed in 2004 by Artistic Director and Principal Choreographer Helgi Tomasson...
★★★✰✰ It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.
Jann Parry talks to The Royal Ballet about what's happening on World Ballet Day this year and just what it means for some of those involved... Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
★★✰✰✰ After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. ...Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.
★★★★✰ It’s been a very enjoyable homage to Robbins’s versatility...
★★★✰✰ Whether walking through space, cycling through a gestural sequence or dancing a technically demanding phrase the dancers were a real joy to watch. The choreography on the other hand, was more of a mixed bag.
★★★★✰ McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars...
★★★★✰ SFDanceworks is going places. Formed in 2014 by longtime San Francisco Ballet soloist James Sofranko, the relatively new company already finds itself in a season of expansion.
"I think you’ve just got to dare to go there. It’s hard, it’s scary, but creation is always kind of scary in one way or the other. So I think you’ve just gotta have guts and go for it anyway." Alexander Ekman.
"I don’t know if we can make the world a better place, but we can definitely have the audience think about it."
★★★★★ A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.
★★★★✰ It’s one of the most striking characteristics of the Mark Morris Dance Group. A common sense of focus, an alertness to the music and to each other.