★★★★✰ "Boy is it good to be in the presence of dancers and musicians again." concludes Marina Harss review of New York City Ballet’s fall season opening performance.
Author - Marina Harss
Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss
★★★★✰ Program 2 features dancers and works from Alvin Ailey American Dance Theater, New York City Ballet, Dance Theatre of Harlem and American Ballet Theatre
★★★★✰ Featuring dancers and works from Alvin Ailey American Dance Theater, New York City Ballet, Dance Theatre of Harlem, American Ballet Theatre and Ballet Hispanico...
★★★★★ One of the most riveting things I’ve seen in a long time.
★★★★✰ New York's World Music Institute are presenting their Dancing the Gods festival as a digital stream this year and with the 2 lead dancers filmed in India - Rama Vaidyanathan and Surupa Sen.
★★★★✰ After months apart, Morris and his dancers have finally been reunited in the company’s studios. The result is Live From Brooklyn, a 45-minute program that includes a new work, Tempus Perfectum, set to Brahms...
★★★★★ ...a satisfying film in which dance is treated as a work of art, like a painting or a sculpture that moves. New York City Ballet’s virtual spring gala is the most successful version of this approach I’ve seen.
★★★★✰ The programs are a mix of revivals and new works, many by company-members or up-and coming choreographers. Diana Byer, the artistic director, has also developed a close relationship with the British choreographer Richard Alston...
★★★★★ Mark Morris Dance Group dancers in Words - a Works & Process Pop Up Performance at the Guggenheim Museum. ★★★✰✰ Christine Jones, Steven Hoggett and David Byrne's SOCIAL! the social distance dance club - at the Park Avenue Armory.
★★★★★ Within the four walls of the Joyce Theater, magic has been brewing. We, the public, only get to see it in virtual form, but the magic is real. The creator of spells is the tap dancer and choreographer Ayodele Casel...
★★★★✰ The latest offering from New York City Ballet, by Kyle Abraham, is a particularly handsome, intelligent, and well-filmed example of the (made and streamed under Covid) genre.
There’s no way around it: it’s been a miserable year for the performing arts here in the US... But still, there were highlights, moments in which for whatever reason, some spark illuminated the soul...
★★★✰✰ Program II of the Fall for Dance festival features premieres by Dormeshia and Kyle Abraham, plus excerpts of works by Balanchine and Lar Lubovitch...
★★★★✰ The Fall for Dance festival is an all digital affair this year and Program 1 included striking and heartfelt premieres by Jamar Roberts and Christopher Wheeldon...
There was a rush of emotion at seeing these extraordinary dancers doing the thing they do best. Their energy, precision, and drive, the way they change the space around them, is inspiring...
Royal Danish Ballet's Tobias Praetorius is an anomaly, a young dancer – he’s only 24 – who is already interested in playing character roles. He is also a choreographer and Marina Harss catches up with him about his latest project - a 'Pixiballet' (aimed at children) based on Hans Christian Andersen's The Princess and the Pea...
Alexei Ratmansky, the Covid-19 Interview - “Its’ like a dress rehearsal for retirement and it turns out that I’m not ready for it.”
★★★★✰ The Kaatsbaan Summer Festival offers the respite of communication without words, of the beauty of the body moving freely through space, and of shared experience.
★★★✰✰ In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck...
★★★✰✰ The dance is spare and pedestrian, as is De Keersmaeker’s way, and lasts two hours, without intermission. And yet it’s not really a challenge to experience it all in one sitting.