★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
Author - Marina Harss
Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss
★★★★★ I’ve never seen a more vivid performer; her large eyes seem to touch each person in the audience...
★★★★✰ You can tell the Danes are in town by the fact that the Joyce Theater has been packed night after night this week.
★★★★✰ Mark Morris Dance Group are currently at the Lincoln Center's Mostly Mozart Festival performing a triple bill coupling a new work, "Sport", to the much admired "Empire Garden" and "V".
★★★★✰ This production proposes that Sleeping Beauty is not really the story of a love quest – as it’s often depicted – but rather a fable about order and disorder, harmony and disharmony, the balance between good and evil.
★★★★✰ In her 'all at once', Tanowitz seems to have taken Taylor's 'Junction' as her starting point. Like that work, it is a paean to awkwardness...
★★★★✰ One can only wish the Paul Taylor Company well in this period of change. The dancers, new and old, perform with a warmth and openness that is rare.
★★✰✰✰ For all Marston’s qualifications, I found her Jane Eyre to be a dreary affair, theatrically dutiful and choreographically thin.
★★★★✰ Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.
★★★★✰ For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality...
★★★★✰ It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).
★★★★★ To my eye, this Harlequinade may be the most well-rounded of Ratmansky's historically-minded stagings of Petipa.
★★★★✰ There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet...
★★★✰✰ In Bartók Ballet, which coexists but does not comment on the music, the dancers explore a huge range of steps and quotations...
★★★★✰ We’re lucky in New York to get as much classical Indian dance as we do. Several festivals return year after year, including, in the spring, Dancing the Gods, curated by the dancer and scholar Rajika Puri...
★★★★✰ There is a palpable sense of hope among the dancers; again and again, they rise to the occasion. The opening-night program reflected this resilience and gave reason for hope.
★★★★✰ What impresses overall is the clarity of the technique; the precision and control it requires. And the way it enlarges the dancers, distilling their strengths, stretching them to the limit.
★★★✰✰ So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration...
★★★✰✰ Dorrance is a darling of festivals, presenters and audiences, and has recently crossed over into the realm of ballet. But how much crossover and reinvention is too much?
★★★★✰ As if an Ashton rarity weren’t reason enough to catch this program, there was also the presence of Marcelo Gomes, former much-admired principal dancer from American Ballet Theatre, to recommend it.