Archive - March 2012

Interviews

Stanton Welch – Houston Ballet – Artistic Director

And I also love the fact that the city built this huge building to recognize classical ballet. Here in Texas we have the biggest monument to classical ballet in North America. That’s very cool. It was funded completely by private giving — from people who love the art, people who love classical ballet. That’s so exciting!

Reviews

English National Ballet – Beyond Ballet Russes, Programme 1 – London

Firebird: To Williamson’s credit, the action, though baffling, never palls. He knows how to deploy a diverse cast, using an interesting vocabulary of classical ballet steps and partnering. He’s obviously fired up his dancers to commit themselves to their roles, flaunting their glitzy costumes with panache. But it’s a muddled piece, overpowered by Stravinsky’s myth-making music.

Reviews

Les Ballets De Monte Carlo – Le Songe – Hong Kong

Anyone who went to Les Ballets de Monte Carlo’s Le Songe, artistic director Jean-Christophe Maillot’s version of Shakespeare’s A Midsummer Night’s Dream expecting a family show will have been in for a shock. Packed with graphic sexual imagery from start to finish, this is the kind of production that has small children asking “What are they doing, Mummy?”...

Reviews

Royal Ballet – Alice’s Adventures in Wonderland – London

But if some grasp of the narrative can be assumed rather than supplied, Wheeldon still needs to make us care about his characters. He does succeed in making Alice a warm-blooded, strong-willed character, and Lauren Cuthbertson works extremely hard in the role to give us a lively, resourceful and energetic heroine. Jack is less strongly drawn. Federico Bonelli is certainly handsome enough for any...

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