April 2018
Carousel with choreography by Justin Peck.© Julieta Cervantes. (Click image for larger version)

Rodgers & Hammerstein’s Carousel (choreography by Justin Peck) – New York

★★★★✰   One of the most attractive things about the production is the way it brings together various worlds: ballet, Broadway, and opera.

Sarah Lamb, Ryoichi Hirano in Elite Syncopations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Obsidian Tear, Marguerite and Armand, Elite Syncopations

A triple bill of works by Wayne McGregor, Frederick Ashton and Kenneth MacMillan. Gallery by Dave Morgan…

Houston Dance Collective in The Purple Jigsaw.© Camilla Greenwell. (Click image for larger version)

East London Dance / Tony Adigun – IDENTITY – London

★★★✰✰   Identity is a celebration of East London’s diverse creativity – a dazzling clash of fashion, dance and music… and featuring Houston Dance Collective, Avant Garde Dance Company, House of Absolute, & Rugged Estate.

Spring by Gandini Juggling and Alexander Whitley.© Lidia Crisafulli. (Click image for larger version)

Gallery – Spring by Gandini Juggling and Alexander Whitley

Gallery by Lidia Crisafulli…

National Youth Dance Company in Sharon Eyal's Used To Be Blonde.© Foteini Christofilopoulou. (Click image for larger version)

National Youth Dance Company – Used To Be Blonde – London

★★★★✰   The title is oblique, but the choreography is an explicit punch of intensity, fusing vigour and angularity with a velvety slinkiness.

Crystal Costa in Barton's Fantastic Beings.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in Voices of America bill – works by Forsythe, Robbins & Barton

Works by William Forsythe, Jerome Robbins and Aszure Barton. Gallery by Dave Morgan…

Kevin Emerton and Mayara Magri in Piggy in the Middle.© Alice Pennefather, ROH, 2018. (Click image for larger version)

Royal Ballet / Charlotte Edmonds – Piggy in the Middle, Sink or Swim – London

★★★✰✰   Piggy in the Middle is, in part, Edmonds’ tribute to Kenneth MacMillan, the 25th anniversary of whose death has been marked during the Royal Ballet’s 2017/2018 season.

Brett Chynoweth and artists of The Australian Ballet in Firebird.© Daniel Boud. (Click image for larger version)

Australian Ballet – Murphy (Graeme Murphy tribute bill of 6 works) – Sydney

★★★✰✰   Within this potpourri of Graeme Murphy’s works, the highlight was “Grand”, a charming and poignant tribute he created in 2005 for his mother, a pianist, who died the previous year.

National Youth Dance Company in Sharon Eyal's Used To Be Blonde.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – National Youth Dance Company in Sharon Eyal’s Used To Be Blonde

Gallery by Foteini Christofilopoulou…

Dada Masilo's Giselle - The Dance Factory, Johannesburg (2017).© John Hogg. (Click image for larger version)

Dada Masilo / The Dance Factory – Giselle – New York

★★★✰✰   Masilo’s is an uncompromising, ritualistic version of the story, with little room for redemption, and in its final scene, in which the spirits amass and advance upon Giselle’s seducer again and again, it tips over into a kind of animistic brutality…

Francesca Hayward, Christopher Saunders and Elizabeth McGorian in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…

Wende and Dutch National Ballet in Last Resistance.© Hans Gerritsen. (Click image for larger version)

Dutch National Ballet – Dutch Doubles: Impermanence, Two and Only, Déjà vu, Last Resistance – Amsterdam

★★★★✰   Dutch National Ballet’s Dutch Doubles quad bill features 3 new works by Annabelle Lopez Ochoa, Ernst Meisner and Wubkje Kuindersma plus a classic piece, new to the company, from the legend that is Hans van Manen.

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