San Francisco is reputedly the second-largest dance community in the United States after New York. What SF lacks in the number of ballet and modern dance companies, it makes up for in the sheer variety of ethnic dance troupes...
Author - Aimee Tsao
Aimée Ts'ao, a San Francisco dance writer, has appeared in Dance Magazine, was dance critic for the Bay Area Reporter and was the senior ballet editor for the Dance Insider Online. She lets her previous incarnation as a professional dancer (ballet and modern) imbue her perspective and hopes you like the resulting flavour.
Calling this ballet a guide (Guide To Strange Places) is not really precise because it’s more like a portal that lets you in and then leaves you on your own to figure out where you are. Whether you have absolutely no sense of direction or can find your way anywhere blindfolded could determine how you explore this terrain
Another surprising choice was Taylor’s Arden Court (1981), which opened Wednesday evening’s program. The dancers were simply stunning. I hate to say, but the parallel is that Miami City Ballet does Balanchine better than New York City Ballet. Not to denigrate Taylor’s dancers at all...
Kochetkova and Boada were so transcendent that even this microscope-eyed critic could soar with them beyond the less than ideal frame of Tomasson’s version.





