Royal Ballet The Winter’s Tale ★★★★✰ Brisbane, Queensland Performing Arts Centre Gallery of pictures (Apr 2014, London) by Dave Morgan 5 July 2017 www.roh.org.uk www.qpac.com.au From his choreography for the dance movie, Centre Stage, to his latest hit musical, An American in Paris, Christopher Wheeldon knows how to capture audiences, keep their attention and send them out to the foyers with a...
Reviews
Reviews of Dance and Ballet Performances
★★★✰✰ By far the best of this production - more musical theatre, than dance – was the outstanding score and songbook from Ella Spira...
★★★✰✰ Nina Kaptsova and Ruslan Skvortsov reviewed - There were few dry eyes in the auditorium as the opulent gold and red curtains of the Bolshoi Theatre closed on the petite distraught figure of Pushkin’s heroine, Tatiana.
★★★✰✰ I went to Bristol to catch Coppelia and the specific lead casting of Celine Gittens and Tyrone Singleton - who have now totally transitioned from being rising stars to fully risen Principals.
★★★★✰ For the Royal Ballet, there could not have been a better start to their Australian tour than Ferri’s performance as Clarissa Dalloway in the first act of Wayne McGregor’s Woolf Works.
★★★✰✰ This is a project with serious intent – but it doesn’t always have the wherewithal to meet its grand ambition.
★★★✰✰ There were times in the hour-long performance when the sensory overload kicked in and one started to be more conscious of the heat inside the chapel...
★★★✰✰ Mats Ek’s "Axe" could be the beginning to a new Scandi Noir TV series. There is a man, an axe, a huge pile of wood that he starts to chop with repressed intensity and a visibly distressed wife. It doesn’t look like it will end well.
★★★★✰ This little trip made it abundantly clear we need to see more Ratmansky in the UK and Europe...
★★★✰✰ It is the melodrama that people remember and are drawn to in Onegin. But his kind of melodrama isn’t everyone’s cup of tea...
★★★✰✰ Both are bold, engaging commissions – always welcome from a regional UK dance troupe.
★★★★★ The programme ended with a revival of the ebullient and uplifting Gypsy Mixture...
★★★★✰ This year's Images Ballet Company is 8 strong, small in the graduate school scheme of things, and yet their show was one of the most exciting I've seen in years with a wonderful and eclectic choice of repertoire, danced with passion and verve.
★★★✰✰ To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.
★★★✰✰ I often get the feeling that the Ailey dancers transcend the choreography they’re asked to dance. With the exception of the inescapable Revelations, the company’s repertory can be hit or miss.
★★★★★ Alexei Ratmansky’s Odessa left me breathless. The dancing (I saw both casts) was phenomenal on all levels: assured, expressive, and thoroughly dramatic.
★★★★★ It’s utterly captivating, full of unexpected, joyous exuberance.
★★★★✰ 2 casts reviewed Isabella Boylston / Alban Lendorf and Devon Teuscher / Aléxandre Hammoudi.
★★★✰✰ At the end of the evening was what you might call the blockbuster piece of the tour - 30 minutes of Matthew Bourne in the form of Act II of his "Highland Fling". Bourne's take on "La Sylphide" is a wonderful piece of work, full of wit, style and pathos...
★★★★✰ Both are pre-existing ensemble works, the performers virtually anonymous on stage, though named on cast sheets: the company is the star, not the soloists.