"Glazunov" tag
Sarah Lamb in Raymonda Act III.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London

★★★★✰   It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…

Sara Mearns and Daniel Ulbricht in George Balanchine’s Variations Pour Une Porte et Un Soupir.© Erin Baiano. (Click image for larger version)

New York City Ballet – Balanchine + Wheeldon bill & Jewels – New York

★★★★✰   It makes a noticeable difference when Litton, music director of the company, is in the pit; the orchestra has presence and sings, providing a convincing counterpart for the dancing.

Isabella Boylston and James Whiteside in The Seasons.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala with The Seasons premiere + Ratmansky Trio bill – New York

★★★★✰   It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).

J'aime Crandall in Raymonda.© Henrik Stenberg. (Click image for larger version)

Royal Danish Ballet – Raymonda – Copenhagen

★★★✰✰   All up, I think this production demonstrated the strengths and weaknesses of “Raymonda” as a ballet. It certainly is a fabulous looking (and listening) calling card which might tour well…

Justin Peck and Sterling Hyltin in The Cage.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Bach and Hear the Dance: Russia bills – New York

More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois…

Picture as provide by Sadler's Wells/Stuttgart: Unstated dancers in unstated dance work photographed by unstated photographer with unstated/unknown copyright.

Stuttgart Ballet – Made in Germany bill – London

Reid Anderson can certainly pick dancers and choreographers in the making. We really do need to see Stuttgart Ballet more often in order to keep up with his discoveries.

American Ballet Theatre in Les Sylphides.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Clear, Theme and Variations – New York

It’s good to see the company perform Sylphides again after a hiatus of eight years. The style hasn’t eroded. …The dancers believe in it.

Royal Ballet – Birthday Offering, A Month in the Country, Les Noces – London

It is a fine selection which illustrates the variety of the Royal’s heritage works, which must beg the question how well are they are danced now…

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