"Jennifer Tipton" tag
American Ballet Theatre in In the Upper Room.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Tharp Trio: Brahms-Haydn, Deuce Coupe, Upper Room – New York

★★★★✰   Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.

Brandon Lawrence and Delia Matthews in Embrace.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Polarity & Proximity: Kin., Embrace, In The Upper Room – London

★★★✰✰   Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity…

Laura Halzack and Michael Trusnovec in Mercuric Tidings.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance – David H. Koch season – New York

★★★★✰   Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.

Rebecca Krohn and Amar Ramasar in Stravinsky Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – 20th Century Violin Concertos bill – New York

New York City Ballet 20th Century Violin Concertos: The Red Violin, In Memory Of…, Stravinsky Violin Concerto ★★★✰✰ New York, David H. Koch Theater 7 October 2017 www.nycballet.com davidhkochtheater.com It goes without saying…

Still from NYCB's promotional video for Justin Peck's The Decalogue.© NYCB. (Click image for larger version)

New York City Ballet – HERE/NOW Festival No. 6 & 8 including Peck’s The Decalogue (premiere) – New York

★★★✰✰   With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page…

Dimity Azoury and Chengwu Guo in Forsythe’s In the Middle, Somewhat Elevated.© Daniel Boud. (Click image for larger version)

Australian Ballet – Forgotten Land, In the Middle, Somewhat Elevated and DGV: Danse a grande vitesse – Sydney

★★★★✰   In music, mood and dynamics the Australian Ballet’s new triple bill, Vitesse, represents three elements, water, fire and air.

Edward Watson, Beatriz Stix-Brunell and Alexander Campbell in Kim Brandstrup's Ceremony of Innocence.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ceremony of Innocence, The Age of Anxiety, Aeternum – London

The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.

Natalia Osipova in Piano Concerto #1.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Ratmansky Shostakovich Trilogy – New York

I have to say that after seeing the Shostakovich Trilogy twice, and picking up many more details …I found it very compelling indeed, especially the opening and closing ballets.

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