"Karl Paquette" tag
Alice Renavand in Le Sacre du Printemps.© Julien Benhamou / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Polyphonia, Alea Sands, Le Sacre du printemps – Paris

Benjamin Millepied, the new director of the Paris Opera Ballet, made a daring choice of programme for the Christmas season at the opulent Palais Garnier opera house: a triple bill of contemporary works…

Dorothee Gilbert in Giselle.© Michel Lidvac. (Click image for larger version)

Paris Opera Ballet – Giselle – Sydney

During the season, and over five nights, I saw each of the five Giselles – Dorothee Gilbert, Myriam Ould-Braham, Ludmila Pagliero, Isabelle Ciaravola and Melanie Hurel, and four Albrechts…

Ludmila Pagliero and Karl Paquette in Don Quixote.© Julien Benhamou. (Click image for larger version)

Paris Opera Ballet – Don Quixote – Paris

It’s not every day Petipa’s carefree Don Quixote comes with a health and safety warning. …Injuries played havoc with the casting throughout November and December…

Agnès Letestu and Hervé Moreau in Woundwork 1.© Anne Deniau / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – William Forsythe / Trisha Brown bill, Don Quixote – Paris

The middle piece, O Zlozony/O Compsite, is a beautiful work by Trisha Brown, made for the company in 2004. Bizarely it always reminds me of Ashton’s Monotones…

Karl Paquette (Djémil) in La Source.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – La Source – HD cinema broadcast

…Bart’s a gifted and discerning artist, with a deep understanding of the Opera’s heritage and style. Rather than trying to “recreate” the long-forgotten original choreography by Arthur St. Leon, Bart’s made a new work that feels old, as if it had long been a warhorse of the Opera’s repertory, subject to over a century of vagaries in taste and technique, yet emerging today all the richer for the experience, and eloquent of its history.

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