"Orpheus" tag
Yorke Dance Project in Kenneth MacMillan's Playground.© Pari Naderi. (Click image for larger version)

Yorke Dance Project – Twenty: Playground, Between and Within, Communion, Imprint – London

★★★★✰   By swelling the numbers of her small touring company, Yolande Yorke-Edgell was able to mount a revival of Kenneth MacMillan’s Playground and a 10-strong ensemble for Robert Cohan’s Communion. The programme also included new works by Sophia Stoller and Yorke-Edgell herself.

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

Tiler Peck, Indiana Woodward, Brittany Pollack and Taylor Stanley in George Balanchine's Apollo.© Erin Baiano. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones…

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Megan Fairchild and Chase Finlay in George Balanchine's Duo Concertant.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Black and White program – New York

I’ve noticed two troubling trends this season at New York City Ballet. Perhaps they are connected. The first is the creeping tendency toward stolid tempi from the pit…

Chase Finlay in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

What is there to say about Orpheus, except that it seems to slip deeper into the recesses of time? I’ve read that at the première, the critic and poet Edwin Denby was so moved by it that he sat dumbfounded during intermission, unable to stand. It is difficult to imagine such a reaction today.

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