"Paris Opera Ballet School" tag
Gabriella Domini, supported by Maxwell Read and Jackson Fort, in Scotch Symphony. Choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Scènes de Ballet, Hallelujah Junction, Scotch Symphony – New York

★★★★✰   New York City Ballet’s seemingly endless stream of new talent has a source, and that source is the School of American Ballet…

Cassandra Trenary in The Sleeping Beauty.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – Sleeping Beauty – Paris

★★★✰✰   I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim…

Ballet Nice Mediterranee in Pas de Dieux.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Soir de Fête, Pas de Dieux – Nice

Vu-An writes in the programme that he has chosen the two ballets Soir de Fete and Pas de Dieux to make up an entertaining and enjoyable programme for the festive season. However, he has chosen two very contrasting and rather curious works…

Alicia Alonso at the Gala.© Margaret Willis. (Click image for larger version)

24th International Ballet Festival of Havana, 2014

This time, I made 15 trips to the theatres – there were performances at 5pm and 9pm each day – and saw 82 different full-length ballets or extracts in the eight days I was in Havana.

Desmond Kelly at the launch of Ballet Hoo!.Courtesy of Birmingham Royal Ballet ©. (Click image for larger version)

Desmond Kelly – Artistic Director Elmhurst and Governor of the Royal Ballet Companies

My nickname in BRB used to be Bastard – and something happened with Ballet Hoo! – I don’t know whether it’s my age, or the kids we worked with, but it made me realise that you can get the best out of dancers and students by coming in on a certain level and talking to them on a certain level – not always shouting. I do shout still, I do get very angry…

Ecole de Danse de l'Opéra national de Paris in David Lichine's Le Bal des cadets - Graduation Ball. © Francette Levieux. (Click image for larger version)

Paris Opera Ballet School – Spectacle Ecole de Danse bill – Paris

While all the young people were lovely to watch, Roxane Stojanov, the girl in yellow, stood out. She had the fullest extension of arms and upper body, the lushest movement quality. It would seem great things are expected of her, as she was cast in every part of the program.

Sylvie Guillem in William Forsythe’s Rearray. © Bill Cooper. (Click image for larger version)

Sylvie Guillem – 6000 Miles Away – New York

The crowd erupted in cheers. Ek’s piece hints at another side of Guillem, a goofier, simpler human being beneath the veneer of the icon. If it feels a little coy, well, maybe it is, maybe it isn’t. It’s a smart, well-calibrated program in every sense.

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