The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
Tag - Rachmaninov
★★★✰✰ Although An Evening with Scottish Ballet could have been better presented by the Edinburgh Festival, the programme showcases an enterprising company full of ideas...
★★★★✰ In this magical programme of two duets and two short films, Maliphant is investigating weightlessness - not so much defying gravity as conjuring its non-existence.
★★★✰✰ This mixed triple bill is made up of work created on the company by artists in the SFB family: On a Theme of Paganini by Artistic Director Helgi Tomasson, Ibsen’s House by Principal Character dancer Val Caniparoli and Ghost in the Machine by Myles Thatcher, part of the corps de ballet since 2010.
★★★★✰ Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.
I thought this year's Royal Ballet School (RBS) performance on the main Royal Opera House stage was pretty damn' good.
Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.
It's always good to get back to mixed programmes after one of the Royal Ballet's long runs of blockbusters, and better still when the first item on the bill is Balanchine's timeless Serenade.
In its second mixed bill here in New York, San Francisco Ballet once again impressed with its vitality and the depth of its bench, as well as with its pleasantly unified look.
Dance Odysseys at the 2013 Edinburgh Festival with reviews on 20 dance works by Scottish Ballet, Scottish Dance Theatre, Gelabert Azzopardi Companyia de Dansa, James Cousins and Rosie Kay. Also thoughts on 4 rare films and links to much video material and many other reviews. It's big!
I loved the way the SFB dancers were so confident with the choreography (of Divertimento No 15), at ease after an understandably tense start.
Aimée Tsao, watching San Francisco Ballet for over 35 years now, with a general primer on the company and some thoughts on the repertoire they are bring to London in September 2012...
Calling this ballet a guide (Guide To Strange Places) is not really precise because it’s more like a portal that lets you in and then leaves you on your own to figure out where you are. Whether you have absolutely no sense of direction or can find your way anywhere blindfolded could determine how you explore this terrain
True to style, San Francisco Ballet Artistic Director & Principal Choreographer Helgi Tomasson is showcasing his dancers in a highly varied programme of ten short works – no fewer than nine of them UK premieres – for their long-awaited return to the London stage.