★★★✰✰ The vitality and drive of the troupe was palpable Wednesday night, as was a sense of collective energy to move forward – however rocky that movement might be.
Tag - Spartak Hoxha
★★★✰✰ There was virtually nothing to fault with "In the Night" on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled
★★★✰✰ Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s...
★★★★★ Alexei Ratmansky’s Odessa left me breathless. The dancing (I saw both casts) was phenomenal on all levels: assured, expressive, and thoroughly dramatic.
★★★✰✰ More than anything, Peck's "The Times are Racing" reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?
New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York
★★★★✰ Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.
New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York
★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin...
The most obvious, and pleasurable aspect of New York City Ballet's mixed bill Hear the Dance: America is its juxtaposition of two very different works by Jerome Robbins.
More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois...
Year after year, I see Balanchine’s Nutcracker, and year after year I marvel at its perfection. This year it turns sixty.