★★★★✰ A gleaming triptych of imaginative and remarkably demanding choreography. The production is textured in every aspect, plumbing deep wells of emotion and revelling in a multiplicity of tones, tempers and movement styles.
Tag - Symphony #9
Alexei Ratmansky's Shostakovich Trilogy comprises Symphony #9, Chamber Symphony and Piano Concerto #1. Gallery by Foteini Christofilopoulou...
★★★✰✰ The choreography in Shostakovich Trilogy, which was co-commissioned by SFB and ABT and premiered in 2014, is as frustratingly capricious as the music.
★★★★✰ This little trip made it abundantly clear we need to see more Ratmansky in the UK and Europe...
★★★✰✰ Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.
It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.
I have to say that after seeing the Shostakovich Trilogy twice, and picking up many more details ...I found it very compelling indeed, especially the opening and closing ballets.
Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.
...with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.
The season began with a high-energy mixed bill which showed the company on sparkling form.
Tonight’s premiere of Ratmansky's newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.