"Symphony #9" tag
Mathilde Froustey, Ulrik Birkkjaer, Yuan Yuan Tan and Sasha De Sola in Chamber Symphony.© Foteini Christofilopoulou. (Click image for larger version)

San Francisco Ballet – Alexei Ratmansky’s Shostakovich Trilogy – London

★★★★✰   A gleaming triptych of imaginative and remarkably demanding choreography. The production is textured in every aspect, plumbing deep wells of emotion and revelling in a multiplicity of tones, tempers and movement styles.

San Francisco Ballet in Piano Concerto #1.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – San Francisco Ballet in Alexei Ratmansky’s Shostakovich Trilogy

Alexei Ratmansky’s Shostakovich Trilogy comprises Symphony #9, Chamber Symphony and Piano Concerto #1. Gallery by Foteini Christofilopoulou…

Wona Park and Angelo Greco in Ratmansky's Concerto #1.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Shostakovich Trilogy – San Francisco

★★★✰✰   The choreography in Shostakovich Trilogy, which was co-commissioned by SFB and ABT and premiered in 2014, is as frustratingly capricious as the music.

Dutch National Ballet in the Piano Concerto #1 section of Shostakovich Trilogy.© Hans Gerritsen. (Click image for larger version)

Dutch National Ballet – Shostakovich Trilogy (European premiere) – Amsterdam

★★★★✰   This little trip made it abundantly clear we need to see more Ratmansky in the UK and Europe…

American Ballet Theatre in Chamber Symphony part of Shostakovich Trilogy. © Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Shostakovich Trilogy – New York

★★★✰✰   Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.

Frances Chung in Ratmansky's Piano Concerto #1 from Shostakovich Trilogy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Program 6: Shostakovich Trilogy – San Francisco

It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.

Natalia Osipova in Piano Concerto #1.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Ratmansky Shostakovich Trilogy – New York

I have to say that after seeing the Shostakovich Trilogy twice, and picking up many more details …I found it very compelling indeed, especially the opening and closing ballets.

Julie Kent and Roberto Bolle in Marcelo Gomes' Apothéose.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.

Veronika Part and Roberto Bolle in Symphony #9.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Symphony in C, Moor’s Pavane, Symphony #9 – Washington

…with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

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