The Bernstein Centenary bill includes new works by Christopher Wheeldon (Corybantic Games) and Wayne McGregor (Yugen). Liam Scarlett's The Age of Anxiety completes the bill. Gallery by Dave Morgan...
Tag - The Royal Ballet
★★★✰✰ This year's Russian Ballet gala was ostensibly in honour of the 200th anniversary of Marius Petipa's birth. Any choreography attributed to him was mostly a long way 'after Petipa', but it's always fun to see excellent Russian dancers deliver pas de deux from Don Quixote, Swan Lake and Le Corsaire.
February's masterclass, the fifth in the series, featured choreography from the start and end of Frederick Ashton's tenure as artistic director of the Royal Ballet, 1963-1969.
Congratulations to all from DanceTabs...
★★★✰✰ The return of Christopher Wheeldon's The Winter's Tale in its third revival since 2014 brings newcomers to its many meaty roles. It also introduces new audience members to one of Shakespeare's late plays, with its convoluted plot.
Pictures of 2 casts: Nuñez, Soares, Stix-Brunell, Muntagirov, Mendizabal and Kaneko, Bonelli, Takada, Campbell, Heap. Photographed by Foteini Christofilopoulou.
★★★✰✰ Whitley has merged the different disciplines so successfully that there's relatively little distinction between dancers and jugglers.
★★★★✰ This was indeed a Giselle to treasure as a first encounter with ballet.
★★★★★ Peter Wright's 1985 production for the Royal Ballet has had many interpreters, all subtly or extravagantly different. Nunez is amongst the finest, a perfectionist who seems realistically earthy as a country girl who loves dancing and ethereal as her defiant spirit.
Galleries by Dave Morgan of the Yasmine Naghdi, Matthew Ball and Francesca Hayward, Alexander Campbell casts.
★★★★✰ Kobborg has deconstructed the work; mixing up the narrative’s building blocks before reassembling them in a masterpiece of balance that remains recognisably traditional but is also refreshingly new.
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet...
The Metropolitan Opera in New York staged "Le Rossignol" in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth... the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit...
★★★★★ When Peter Wright’s production of The Nutcracker for the Royal Ballet was given its premiere on 20th December 1984, gala guests were treated to free champagne and souvenir booklets. No expense was spared...
On the eve of his new London show, which includes two premieres and a rarely seen piece of early Russian contemporary ballet, we catch up with Polunin about the shows and life in general. He's clearly a man who wants to leave his mark...
Gallery by Foteini Christofilopoulou...
★★★✰✰ All up, I think this production demonstrated the strengths and weaknesses of "Raymonda" as a ballet. It certainly is a fabulous looking (and listening) calling card which might tour well...
★★★★✰ Sylvia makes a welcome return to the repertoire, reacquainting dancers and audiences with Ashton’s sensibility and complex choreography. It’s a joy but not a masterpiece, as he well knew...
★★✰✰✰ All the ingredients seemed promising but the evening was disappointing, struggling to recover from the tedium of the dire opening item...