★★★✰✰ This mixed triple bill is made up of work created on the company by artists in the SFB family: On a Theme of Paganini by Artistic Director Helgi Tomasson, Ibsen’s House by Principal Character dancer Val Caniparoli and Ghost in the Machine by Myles Thatcher, part of the corps de ballet since 2010.
Tag - War Memorial Opera House
★★★✰✰ Not all, but many pas de deuxs have a romantic subtext, whether intentional or not. But in Rodeo Peck has crafted a pas de deux celebrating introductions and the process of getting to know another person.
★★✰✰✰ The efforts of San Francisco Ballet’s artists are sadly misplaced in this largely joyless and wholly unsatisfying rendition of The Sleeping Beauty.
★★★✰✰ Myles Thatcher is an inventive young talent...
★★★★★ Pita’s Salome is pure postmodern dance-theater, and a five-star surprise on the Opera House stage.
★★★✰✰ The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.
★★★✰✰ It was a dark and stormy night – San Francisco Ballet couldn’t have designed a more apt and ominous atmosphere for the opening of Liam Scarlett’s Frankenstein.
★★✰✰✰ The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work 'Optimistic Tragedy'.
★★★★✰ The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, "Fragile Vessels", is a 40-minute meditation on love, loss and reconciliation.
★★★★✰ Created in 2010 for the National Ballet of Canada, this production of the late John Cranko’s 1965 ballet was a smash here in 2012; it was reprised in 2013 and it’s wonderful to have it back again so soon.
★★★★✰ San Francisco Ballet (SFB) saved the best for its last mixed bill of the 2016 season.
★★★★✰ It’s a treat to be in the theater when a dancer achieves a triumphant performance...
★★★✰✰ "But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work..."
★★★★✰ "....that is what is marvelous about Forsythe's Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face."
★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia ...Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.
The first time I saw San Francisco Ballet’s current production of The Nutcracker, a little boy sitting in front of us turned to his mother and whispered, “It’s magic!” Eleven years later, to the very day, it’s still a magical experience.
Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season...
Swimmer is one man's journey from being the stereotypical breadwinner... to his own self-realisation in a kind of isolated freedom.
It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.
Principal dancers Mathilde Froustey and Carlos Quenedit were exactly what the audience wanted on opening night.