★★★★✰ Yuri Possokhov's contribution to ENB's digital season is based on the novel Life and Fate by Vasily Grossman – a War and Peace about the Soviet Union during World War II
Tag - Yuri Possokhov
★★★★✰ This was much more than my expectation of an update to Broken Wings. Part prequel, part sequel; it now stands proudly alone as an excellent new addition to the Dutch ballet repertoire.
★★★★✰ 'Spellbound' delivered in every regard – opulent grandeur, terrific people watching and above all, marvelous dance.
★★★✰✰ Stunning images of Bolshoi ballerina Svetlana Zakahrova dressed as Coco Chanel whetted the appetite for the London Premiere of her latest how, Modanse.
★★★✰✰ Program 5, titled Lyric Voices, welcomed back Trey McIntyre’s Your Flesh Shall Be a Great Poem and Christopher Wheeldon’s Bound To and the new work came from Yuri Possokhov...
Some dance in London – thoughts on Saburo Teshigawara, Diana Vishneva’s CONTEXT Festival & Introdans
Saburo Teshigawara & Rihoko Sato in 'The Idiot' at The Print Room (★★★✰✰), Diana Vishneva's CONTEXT Festival of Russian contemporary choreography at Sadler's Wells (★★★✰✰), Introdansm 'Dutch Masters' bill at ROH (★★★★✰)
★★★✰✰ This year's Russian Ballet gala was ostensibly in honour of the 200th anniversary of Marius Petipa's birth. Any choreography attributed to him was mostly a long way 'after Petipa', but it's always fun to see excellent Russian dancers deliver pas de deux from Don Quixote, Swan Lake and Le Corsaire.
★★★✰✰ Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.
★★✰✰✰ Some vein connected Bells and Fool’s Paradise on Thursday night and it wasn’t encouraging. Both pieces overuse the female body as a vulnerable entity...
★★★★★ Pita’s Salome is pure postmodern dance-theater, and a five-star surprise on the Opera House stage.
★★✰✰✰ The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work 'Optimistic Tragedy'.
★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.
★★★★✰ "....that is what is marvelous about Forsythe's Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face."
★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia ...Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.
If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.
Johan Kobborg took over as Director of Bucharest National Ballet just over a year ago. Time for Graham Watts to go and see how they are looking - in two very different bills...
Margaret Willis has just been in St. Petersburg, catching up with the Dance Open Festival and also visiting the Vaganova Academy where she had some words with director Nikolai Tsiskaridze...
Swimmer is one man's journey from being the stereotypical breadwinner... to his own self-realisation in a kind of isolated freedom.
Hot off the presses, San Francisco Ballet 2016 season announcement includes two world premieres, three full-length revivals and numerous bold-face names, including Forsythe, Ratmansky and Wheeldon...
As always, it's a pleasure to see the Joffrey Ballet, especially since 2007 when artistic director Ashley Wheater assumed his post and began a terrific revival of the company...