November 2017
Protein in Border Tales.© Chris Nash. (Click image for larger version)

Protein – Border Tales – London

★★★✰✰   Is this depiction of divisive ‘insider/outsider’ British society really a true reflection?

Aditi Mangaldas (Darbar Festival supplied publicty image).© Dinesh Khanna. (Click image for larger version)

Darbar Festival London: Indian Adventures of Sitar and Dance bill with Mangaldas, Khoo and Banerjee

★★★★✰   The Darbar Festival has been celebrating Indian classical music for a number of years, but now at Sadler’s Wells it has an additional dance component curated by Akram Khan, showcasing different forms…

Solene Weinachter, Eve Ganneau and John Kendall in The North.© Nicole Guarino. (Click image for larger version)

Joan Clevillé Dance – The North – London

★★✰✰✰   The opening scene of The North, a new dance theatre work from Dundee-based troupe Joan Clevillé Dance, starts with a scene plucked straight from a Scandi noir…

Natalia Osipova in Arthur Pita's The Wind.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Illustrated ‘Farewell’, The Wind, Untouchable – London

★★★✰✰   Kevin O’Hare is commissioning choreographers who want to make use of what the Opera House can offer; he’s not setting out to declare where ballet ought to be heading and he’s not playing safe.

Cia Maduixa in DOT.© Jorid Pla. (Click image for larger version)

Cia Maduixa – DOT – London

★★★★★   What makes the show so seductive is the smooth and slick integration of visual effects with movement.

Sarah Lamb in Twyla Tharp's The Illustrated 'Farewell’.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Illustrated ‘Farewell’, The Wind, Untouchable

Works by Twyla Tharp, Arthur Pita and Hofesh Shechter. Gallery by Foteini Christofilopoulou…

Emma Love Suddarth and William Lin-Yee in Crystal Pite’s Plot Point.© Angela Sterling. (Click image for larger version)

Pacific Northwest Ballet – Her Story: Her Door to the Sky, Afternoon Ball, Plot Point – Seattle

★★★★✰   Suspense be damned. I’m just going to give away the ending of this review: Crystal Pite’s Plot Point, which closes Pacific Northwest Ballet’s Her Story triple bill, is a terrific piece of dance-theater.

Tzu-Chao Chou in ‘Still Life’ at the Penguin Café.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Arcadia, Le Baiser de la fée, ‘Still Life’ at the Penguin Café – London

★★✰✰✰   Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.

Jessica Lang Dance in Stabat mater.© Karli Cadel. (Click image for larger version)

Jessica Lang Dance – Stabat mater – New York

Jessica Lang Dance White Light Festival: Stabat mater ★★★★✰ New York, Rose Theater 2 November 2017 www.jessicalangdance.com www.lincolncenter.org/venue/rose-theater Despite the fact that Christians make up about a third of today’s global population, compared…

Birmingham Royal Ballet – Aladdin – London

★★★✰✰   Aladdin never fully finds its feet, but there’s a lot to like about the show, from the cheery group numbers to the striking visuals.

Publicity image for Andante.© Alicia Clarke. (Click image for larger version)

Igor and Moreno – Andante – London

★★✰✰✰   Igor and Moreno warn people in the programme notes for Andante that there will be smoke and perfume – lots of it.

George Williamson.© Arnaud Stephenson. (Click image for larger version)

5 Questions to George Williamson – freelance choreographer and recipient of the first BRB Ballet Now commission

Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It’s a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.

Cesar Morales.© Andres Cabezas. (Click image for larger version)

Cesar Morales – Principal Dancer, Birmingham Royal Ballet

So how did a good Chilean boy end up dancing ballet in Europe…

Christy Funsch and Nol Simonse in the beauty and ruin of friends, of bodies.© Robbie Sweeny. (Click image for larger version)

Nol Simonse and Christy Funsch – the beauty and ruin of friends, of bodies – San Francisco

★★★★✰   Choreographed by Nol Simonse, in collaboration with Christy Funsch, and performed by the incomparable pair, a myriad of ideas and themes were at play during the sixty-minute work. But one concept was particularly striking: time.

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.