"Brittany Pollack" tag
Carousel with choreography by Justin Peck.© Julieta Cervantes. (Click image for larger version)

Rodgers & Hammerstein’s Carousel (choreography by Justin Peck) – New York

★★★★✰   One of the most attractive things about the production is the way it brings together various worlds: ballet, Broadway, and opera.

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

New York City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Hallelujah Junction, Duo Concertant, Western Symphony – New York

★★★★✰   Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.

Teresa Reichlen in A Midsummer Night's Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

George Balanchine’s Midsummer Night’s Dream is really two ballets, layered one upon the other.

Sterling Hyltin and Joaquin de Luz in La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Bournonville Divertissements – New York

At first glance, it’s hard to think of two choreographers more unalike than August Bournonville and Balanchine…

Ashley Bouder and NYCB in George Balanchine's Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon and Symphony in C – Washington

Oksana Khadarina reviews the Serenade, Agon and Symphony in C bill – prepare for many happy adjectives and lots of history…

New York City Ballet in Jerome Robbins' Interplay.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Hear The Dance: America bill – New York

The most obvious, and pleasurable aspect of New York City Ballet’s mixed bill Hear the Dance: America is its juxtaposition of two very different works by Jerome Robbins.

Justin Peck and Sterling Hyltin in The Cage.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Bach and Hear the Dance: Russia bills – New York

More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois…

Ashley Bouder in Donizetti Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon, Symphony in C, Donizetti Variations, La Valse, Chaconne – New York

In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.

Tiler Peck and Robert Fairchild in Christopher Wheeldon's A Place for Us.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Wheeldon premiere – New York

But ‘A Place for Us’ (new Wheeldon) feels like a bauble, not quite a jewel.

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