"Poulenc" tag
Javier Torres, Antoinette Brooks-Daw and Riku Ito in Kenneth MacMillan's Gloria.© Lauren Godfrey. (Click image for larger version)

Northern Ballet – MacMillan bill: Las Hermanas, Concerto, Gloria – Bradford

★★★★✰   Gloria was Nixon’s first choice because he felt it showed MacMillan at his moving best. It contrasts Poulenc’s choral setting of the Latin text from the mass in praise of God with the toll of human lives in the First World War.

Martha Clarke.© Martha Clarke, courtesy the Royal Opera House.

Martha Clarke – Director and Choreographer, on Chéri

Martha Clarke talks to Jann Parry about Chéri – at the ROH Linbury Studio Theatre, 29 Sept – 4 Oct 2015…

Davon Doane and Ashley Murphy in Dancing on the Front Porch of Heaven.© Rachel Neville. (Click image for larger version)

Dance Theatre of Harlem – 45th Anniversary Season at Lincoln Center – New York

The task Johnson faces is complicated, full of potential pit-falls. In these early seasons she is working to define the company’s character, while helping the dancers to hone their classical training and shine as individuals.

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Sara Mearns and Adrian Danchig-Waring in Liam Scarlett's Acheron.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron (Scarlett premiere), Vespro, Spectral Evidence – New York

Acheron, Liam Scarlett’s new piece, revealed a choreographer of prodigious imagination and compositional craft, adept at building an atmosphere and suffusing it with traces of meaning.

Alessandra Ferri and Herman Cornejo in Martha Clarke's Cheri.© 2013 Joan Marcus. (Click image for larger version)

Martha Clarke Takes on Colette’s Chéri + Herman Cornejo interview

Novels are treacherous terrain for choreographers. So much of what draws us into a book and imprints itself in our imagination …is almost impossible to convey in the language of the body.

Edward Watson in Alexei Ratmansky's 24 Preludes.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Apollo, 24 Preludes, Aeternum – London

This triple bill, with two world premieres, shows how ably choreographers 85 years apart can refresh the language of classical ballet without distorting it beyond recognition.

Troy Schumacher.© Henry Leutwyler. (Click image for larger version)

Troy Schumacher – Satellite Ballet & New York City Ballet – Choreographer and dancer

Dance is a difficult thing to experience outside of the theatre, but for the sustainability of the artform it has to find a way to make itself more widely available.

Peter Darrell. © Alan Crumlish. (Click image for larger version)

Remembering Peter Darrell – Scotland’s Dance Pioneer (1929-1987)

As Clement Crisp wrote after Darrell’s death: ‘His ballets are true and fascinating mirrors of their age’. Timing a revival is always tricky. Would we want to see his Beatles ballet, Mods and Rockers (1963), again?

Eugenia Brezzi - and Katya Bourvis, Hayley Blackburn in George Wiliamson's Threefold.© Dave Morgan. (Click image for larger version)

New English Ballet Theatre – Synergies bill – London

All in all, this was a programme that delivered what Karen Pilkington-Miksa and her team set out to achieve for which she (and they) deserve our considerable applause. …NEBT allows one more throw of the die but these young dancers still need a “double 6” to win contracts for more sustainable jobs.

New English Ballet Theatre – Inaugural performances, 4-8 July, London

Synergies is an exciting programme of world renowned choreography and four premieres by young emerging choreographers. NEBT’s dancers will perform alongside guest artists Marianela Nuñez and Thiago Soares, only on the gala night of July 5th…

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