Ratmansky’s vision of Cinderella is bracingly fresh, and the ballet’s harsh, urban setting and grotesque choreography seem suitably attuned to Prokofiev’s darkly sardonic score. His concept, however, does not succeed completely.
Author - Oksana Khadarina
With its exquisite staging, and most importantly with its understanding and respect of the Romantic ballet style, and whole-hearted dedication of the dancers to their roles, the Paris Opera Ballet demonstrated just how Giselle should be produced and performed.
The Bolshoi's new Coppelia was heavenly fun. Vikharev’s production brought to the fore the Russian ballet tradition of expressive pantomime and spirited ensemble dances.
With Alice, Septime Webre has a smash hit on his hands. The new ballet has broken all records for the ticket sales (all performances were sold out far in advance, including the standing tickets); and it is already the Washington Ballet’s most successful production to-date...
Fortunately, Jerome Robbins’ West Side Story Suite, the final dance of the evening, was anything but tedious. One of the greatest entertainers in ballet, Robbins knew how to keep his audiences awake, engaged, and excited.
With its new program titled Twyla Tharp: All American, the Washington Ballet paid homage to the high priestess of American dance...
It’s hard to top Morris’s dancers for spontaneity, dramatic force, and exhilarating energy. On opening night, the dancing was nothing less than brilliant: From the opening “Mad Crossing” to the concluding “Finale,” the cast commanded the stage, dancing with sheer joy and élan, compelling the audience at the end of the performance into a thunderous standing ovation.
Balancing spectacular dancing with stirring drama, the Mariinsky dancers delivered a riveting, unforgettable performance. I left the Opera House with wonderful memories...