"Afternoon of a Faun" tag
Valentine Gross pastel of the original trio in “the fountain” grouping, 1913. First published in Comoedia Illustré, the souvenir programme of Diaghilev’s Ballets Russes. From Millicent Hodson, Nijinsky's Bloomsbury Ballet, Jeux (Pendragon, New York, 2008), p. 8. (Click image for larger version)

Games People Play: ‘Jeux’ Young at 100

Nijinsky’s ‘Jeux’, like ‘Rite’, is in its centenary year – lesser known it may be but Archer & Hodson give fascinating detail on its creation and the thought that went into putting on, at UNCSA, their reconstructed version earlier this year.

Kathleen Breen Combes and Paulo Arrais in Symphony in Three Movements.© Dave Morgan. (Click image for larger version)

Boston Ballet – Serenade, Afternoon of a Faun, Plan to B, Symphony in Three Movements – London

The first bravo for the Boston Ballet’s return to London must go to artistic director Mikko Nissinen, for his clever and highly successful programming for opening night.

Edward Villella.© Gio Alma, courtesy Edward Villella. (Click image for larger version)

Edward Villella – Founding Artistic Director of Miami City Ballet

After twenty-six years in Miami, Edward Villella is back in New York, just across the East River from his old stomping grounds in Bayside Queens. He was an unlikely danseur, a scrappy kid…

Polina Semionova in Sylvia.© MIRA. (Click image for larger version)

American Ballet Theatre – Sylvia – New York

Like a Fabergé egg with a tiny golden bird inside, Sylvia is decadent, a bit indulgent, but delightful.

Nancy Reynolds interviewing Edward Villella about Tarantella and Rubies, GBF Video Archives, 2008.© Nancy Reynolds. (Click image for larger version)

Nancy Reynolds – George Balanchine Foundation – Director of Research

An in-depth interview with the lady who helps bring Balanchine back…

Poster image for the 2012 festival. © Festival Internacional de Ballet de La Habana 2012. (Click image for larger version)

23rd International Ballet Festival of Havana, 2012

The festival was as intensive as ever, with three performances running on seven days, four on one day, some concurrently. The range and quality of dance overall was impressive.

Dane Hurst in L'après-midi d'un faune. © Dave Morgan. (Click image for larger version)

Rambert Dance Company – What Wild Ecstasy, SUB, Faun, Art of Touch – London

Rambert… offers a mix of new commissions with rarely-seen work from their archives. Some items had much more impact than others, though not necessarily the ones you might imagine from the programme.

Otis-Cameron Carr and Antonette Dayrit in Mark Baldwin's What Wild Ecstasy. © Dave Morgan. (Click image for larger version)

Gallery – Rambert Dance Company in L’après-midi d’un faune and What Wild Ecstasy

27 Pictures by Dave Morgan

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