The middle piece, O Zlozony/O Compsite, is a beautiful work by Trisha Brown, made for the company in 2004. Bizarely it always reminds me of Ashton's Monotones...
Tag - Aurelien Houette
Ould-Braham had just been made étoile and her performance seemed, to me, buoyed by an extra layer of joy and happiness. Hoffalt was completely at ease in both technique and characterization. When they celebrated their wedding onstage, the audience went crazy.
As Manon, Dupont started out as sweet and innocent. Overall, her Manon seemed almost empty, like a vessel for people to put eroticism into or to act upon.