English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year's competition is on the 25 May and ahead of the that we talk to 4 of the 6 finalists - Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes...
Tag - George Balanchine
★★★★✰ Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.
The Royal Ballet perform a mixed bill of four works - William Forsythe's 'The Vertiginous Thrill of Exactitude', George Balanchine's 'Taranatella', Christopher Wheeldon's 'Strapless' and Liam Scarlett's world premiere of 'Symphonic Dances'...
42nd Street ★★★★★ / An American in Paris ★★★★✰ - Jann Parry reviews "42nd Street" and takes another look at "An American in Paris", this time with Ashley Day partnering Leanne Cope...
★★★✰✰ With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page...
★★★✰✰ Their hunger for dance – that sense of palpable excitement to be onstage and in the moment – was particularly evident during the company’s premiere of Ratmansky’s Seven Sonatas.
★★★★✰ The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.
Gallery by Dave Morgan...
Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows...
★★★★✰ The Fairy's Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.
★★★✰✰ Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.
★★★★✰ Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.
Marina Harss with her personal selection of New York dance memories this last year...
★★★★★ The Royal Ballet’s Nutcracker has undergone various changes since its gala premiere in 1984, not least in the central roles of Clara and Drosselmeyer...
★★★★✰ From start to finish, this Giselle was superbly realized: stylistically accurate, visually enchanting and emotionally poignant.
One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante's leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she's back at the Royal Opera House, this time to coach MacMillan's Anastasia, which is where Jann Parry caught up with her...
★★★★✰ After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.
★★★★✰ Watching this immensely entertaining program one realizes that even a minor Balanchine ballet is still a great ballet.
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
★★★✰✰ “Hi! I am Julie Kent, artistic director of the Washington Ballet.” Looking ravishing in her long strapless slivery-white gown, her hair immaculately styled, the new director of the Washington Ballet introduced herself to the audience of the fully-packed Eisenhower Theater...