★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
Tag - Gluck
★★★★★ Though the concert was a treat, could the Royal Opera House please try raising our spirits in future streamings, and give the Royal Ballet the prominence it deserves.
The Royal Ballet's Vadim Muntagirov talks about making the most of lockdown and getting ready to dance again for the Royal Opera House's Live from Covent Garden transmission on Saturday night (20 June 2020), where he is dancing Ashton's seldom-seen "Dance of the Blessed Spirits"...
★★★★✰ Isadora Duncan's spirit has been honoured, even if the impact of her presence remains elusive.
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more...
★★★★★ As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works...
This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems...
"...it’s hard not to get the impression that New York City Ballet is on a roll."
Dance at the Hong Kong Arts Festival 2014: Trisha Brown, Akram Khan, Pina Bausch, Jockey Club Series
The 2014 Arts Festival offered contemporary dance from established international masters along with new wave work from Asia, Scandinavia and Hong Kong itself.
Bausch is a mystery. To some, she represents the summit of poetry and expression, worthy of a cult-like following. Clearly, these dancers derive great emotional sustenance from performing her work. And it suits them. But, with the exception of Gillot’s solo and a few moments here and there, it left me cold.