★★★✰✰ The latest Royal Ballet premiere is a full evening ballet from Wayne McGregor, using a cracking custom score from Thomas Adès...
Tag - James Hay
★★★★✰ Francesca Hayward is entirely believable as a very young Juliet, overwhelmed by her first experience of falling in love.
★★★★✰ There's no reason to feel short-changed by the Royal Ballet's Covid-compliant Nutcracker. The magic of Tchaikovsky's music and the beauty of the dancing still enchant spectators of all ages.
★★★★★ Thank you, Royal Ballet, for giving so much pleasure in trying times.
★★★★✰ The Royal Ballet's current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa's Imperial Russian ballet should be the flagship of her British company.
★★★★★ Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
★★★✰✰ Somehow, still at the start of the run, the production seems sanitised, nicely 'English' in spite of Nicholas Georgiadis's imposing Italian Renaissance sets and costumes. Different casts yet to come might bring fresh discoveries...
★★✰✰✰ Could Liam Scarlett's monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.
Jann Parry talks to The Royal Ballet about what's happening on World Ballet Day this year and just what it means for some of those involved... Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
★★★★✰ The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet's resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers' work...
★★★★✰ It's a myth that Kenneth MacMillan's Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals...
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet...
★★★★✰ Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role...
★★★★✰ The Royal Ballet’s away-day to Hull, this year’s UK Capital of Culture, was dramatic in its scale: 17 pieces presented over three hours...
★★★★✰ In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.
An all Frederick Ashton bill. Gallery by Dave Morgan...
★★★★✰ Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.
★★★★✰ The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.
★★★★✰ The grand pas de deux was the triumphant highlight of the fairytale festivities. Hay expressed the prince’s pride and pleasure in his variations; Takada was demure and regal in hers...