The company danced the first 3 sections of Autobiography for photographers. Gallery by Dave Morgan...
Tag - James Pett
A lasting impression of the performance was, as ever, the range of Cunningham’s vocabulary, from shape-making to intricate steps, leaps, spins and lifts, constantly surprising.
Alston’s response to music is scrupulous, but Kondo’s percussive clatters, not dissimilar to John Cage’s prepared-piano poundings, takes some getting used to – for audiences, as for dancers.
...it’s remarkable how satisfying the old-fashioned virtues of structure and form can be.