★★★✰✰ I was happy to discover that, yes, in fact, something about this more intimate, immersive setting did alter the work’s energy and rhythm, its overall feel.
Tag - Luca Veggetti
Even more than with other choreographers, the costumes and sets are essential elements of Graham’s dance imagination. Think of Martha’s stretchy sack-dress in Lamentation, or the prickly metal tree-dress by Noguchi in Cave of the Heart. They are extensions of the dancers’ bodies, and of Graham’s Jungian world-view.
It's always been clear that Millepied is a man of intelligence and taste.