★★★★✰ Both are exceptional dance-actors, though Ferri must take the limelight as the lost, legendary ballerina of Béjart’s imagination.
Tag - Maina Gielgud
Valerie Lawson on an important series, by WildBear Entertainment, excavating Australian Ballet's past and what's happening now for the company, with all the complications of Covid-19.
David McAllister, about to step down as the artistic director of Australian Ballet, has just released his memoir and it proves enlightening and candid reading about both the company and the man himself...
I don’t really believe in lists, but it’s admittedly fun to look back over the year and reflect on moments that have stayed with me. So here they are, in no particular order…
RB, ABT, NYCB & NYTB dancers at the Joyce Ballet Festival – Prog C, curated by Jean-Marc Puissant – New York
★★★★✰ Starwise, Bejart's Wayfarer bumps this program from two stars to four.
Although Valerie Lawson's context is wide-ranging, she brings individuals into focus with personal details, shining a spotlight onto their roles in Australian dance history. Lavishly illustrated with photographs from Australian archives, her book gives vivid life to long-gone personalities.
★★★★✰ "...the emotional impact of this uniquely Australian Nutcracker remains as powerful as ever."
★★★★★ This R&J gives the audience so much to admire, so much to be immersed in, and so much to delight in and even laugh over.
Australian Ballet – Forgotten Land, In the Middle, Somewhat Elevated and DGV: Danse a grande vitesse – Sydney
★★★★✰ In music, mood and dynamics the Australian Ballet’s new triple bill, Vitesse, represents three elements, water, fire and air.
I was told my body type wasn’t really ideal, and during high school I had ballet teachers who said that maybe I should consider pursuing college because my body wasn’t suitable for classical ballet...
Onwards and Upwards we say to the great Juliet Burnett – who writes wonderful blogs for DanceTabs. Media Release from The Australian Ballet The Australian Ballet farewells Senior Artist Juliet Burnett After 12 wonderful years with The Australian Ballet, Senior Artist Juliet Burnett has announced that she will leave the company on Friday 12 June, following her performance in the lead role of...
Maina Gielgud first staged her production of Giselle for the Australian Ballet in 1986...
Eighty years after Robert Helpmann left Australia and joined the Sadler’s Wells Ballet company, a Royal Ballet School symposium celebrated his achievements as a man of the theatre.
The highly anticipated world premiere of Wayne McGregor’s Borderlands, commissioned by SF Ballet, meets with a standing ovation.
And I’ll close with more praise of Maina Gielgud. I’ve never seen a ballet she’s set that hasn’t been absolutely first-rate. Boston Ballet has performed her Giselle for many years now and it’s easily my favorite Giselle, just as this production is now my favorite Don Quixote.
And I also love the fact that the city built this huge building to recognize classical ballet. Here in Texas we have the biggest monument to classical ballet in North America. That’s very cool. It was funded completely by private giving — from people who love the art, people who love classical ballet. That’s so exciting!