But no end of fine, or even inspired, performances can breathe life into this tired production
Tag - Minkus
...the real star of Don Quixote is the Bolshoi itself.
As for the whole ballet, it’s a 19th century expression of the racist Orientalist view that says India is a land of groveling slaves and despotic rajahs, unbridled lust and pervasive corruption, abundant opium and yielding odalisques. ...Once past all that, however, it’s a lavish and thrilling spectacle with abundant pleasures for eye and ear.
A first night of superlatives and Tamara Rojo's done the country (not just London) a terrific service in her first full-evening commission. You'd be daft to miss Le Corsaire as it tours the UK. Bravo all.
When the Mikhailovsky Ballet first brought this production to London in 2010, Laurencia seemed a creakily old-fashioned Soviet drambalet. Now, with Natalia Osipova and Ivan Vasiliev as the leads, it sparkles with fun, melodrama and commitment...
The good news is that I had a very pleasant afternoon, mostly the result of the dancers actually having a splendid time on stage.
Kochetkova and Domitro, together and separately, dance extraordinarily well. They don’t have the elusive chemistry that she has with Boada, but they still are very much in tune with each other, both musically and artistically, and make a very satisfying partnership.
And I’ll close with more praise of Maina Gielgud. I’ve never seen a ballet she’s set that hasn’t been absolutely first-rate. Boston Ballet has performed her Giselle for many years now and it’s easily my favorite Giselle, just as this production is now my favorite Don Quixote.





