"Orpheus and Eurydice" tag
Vadim Muntagirov in rehearsal for Dance of the Blessed Spirits.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Opera House/Royal Ballet – Live from Covent Garden: Second Concert (20 June)

★★★★★   Though the concert was a treat, could the Royal Opera House please try raising our spirits in future streamings, and give the Royal Ballet the prominence it deserves.

Vadim Muntagirov.© and courtesy the Royal Opera House. (Click image for larger version)

Vadim Muntagirov on life under lockdown and dancing at the ROH again, to be seen this Saturday

The Royal Ballet’s Vadim Muntagirov talks about making the most of lockdown and getting ready to dance again for the Royal Opera House’s Live from Covent Garden transmission on Saturday night (20 June 2020), where he is dancing Ashton’s seldom-seen “Dance of the Blessed Spirits”…

Suzanne Farrell Ballet, with Heather Ogden and Thomas Garrett, center, and the corps de ballet, in Chaconne, choreography by George Balanchine © The George Balanchine Trust. (phew!)Image © Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Forever Balanchine: Farewell Performances – Washington

★★★★★   As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works…

Natalia Magnicaballi in Tzigane.© Paul Kolnik. (Click image for larger version)

Feature – Suzanne Farrell Ballet’s Final Performances in Washington

This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

Paco Peña.© and courtesy Paco Peña, Columbia Artists Management Inc. (Click image for larger version)

Paco Peña – Flamencura – New York

Peña’s show, which came to the The Town Hall for a single performance, uses an extremely spare model – flamenco performance as family gathering.

James Wilton Dance Company in Last Man Standing.© Werner Kmetitsch. (Click image for larger version)

James Wilton Dance – Last Man Standing – London

James Wilton Dance are touring Last Man Standing – a narrative work based on Terry Pratchett’s book The Last Hero and the myth of Orpheus and Eurydice. Lynette Halewood was impressed…

Marie-Agnes Gillot and Stephane Bullion in Orpheus and Eurydice.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Orpheus and Eurydice – New York

Bausch is a mystery. To some, she represents the summit of poetry and expression, worthy of a cult-like following. Clearly, these dancers derive great emotional sustenance from performing her work. And it suits them. But, with the exception of Gillot’s solo and a few moments here and there, it left me cold.

Nicolas Le Riche and Paris Opera Ballet in Maurice Bejart's Bolero.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Suite en Blanc, L’Arlesienne, Bolero – New York

Nicolas Le Riche was fabulously predatory in Bolero, a raging furnace of self-love and sex appeal. One imagines that after the show he must have ravaged a hundred virgins, but maybe he simply went home and soaked his feet in the tub, but in any case, he was magnificent, good taste (and choreography) be damned.

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