"Rudy Hawkes" tag
Australian Ballet publicity image for Graeme Murphy's Swan Lake.© Liz Ham. (Click image for larger version)

Australian Ballet – Swan Lake – London

★★★✰✰   Australian Ballet (AB) must surely be the only significant ballet company in the world with two Swan Lakes in their active repertoire. Strangely, the one we’ve seen before in Britain we have just been seeing again…

Kevin Jackson, Vivienne Wong and Rudy Hawkes in Alice Topp’s Little Atlas.© Daniel Boud. (Click image for larger version)

Australian Ballet – Symphony in C, divertissements and new works bill – Sydney

★★★✰✰   The first thing to say about Symphony in C is that the Australian Ballet’s corps and soloists had been rehearsed and coached with technical perfection in mind and there was little to fault with their execution of the steps.

Dimity Azoury and Chengwu Guo in Forsythe’s In the Middle, Somewhat Elevated.© Daniel Boud. (Click image for larger version)

Australian Ballet – Forgotten Land, In the Middle, Somewhat Elevated and DGV: Danse a grande vitesse – Sydney

★★★★✰   In music, mood and dynamics the Australian Ballet’s new triple bill, Vitesse, represents three elements, water, fire and air.

Ako Kondo, Cristiano Martino, Robyn Hendricks and Amber Scott in Symphonic Variations.© Daniel Boud. (Click image for larger version)

Australian Ballet – Ashton bill: The Dream, Monotones II, Symphonic Variations – Sydney

After the long famine, Ashton’s ballets made a welcome return this week with the company’s triple bill under the umbrella title, The Dream.

Amber Scott as Odette in Swan Lake.© Jeff Busby. (Click image for larger version)

Australian Ballet – Swan Lake – Melbourne

As the 50th anniversary season draws to a close, it is clear that things have come full circle. The company began with a Swan Lake in 1962; it celebrates this major milestone with another.

Lana Jones, Rudy Hawkes, Adam Bull and Amber Scott in Gemini.© Jeff Busby. (Click image for larger version)

Australian Ballet – Icons bill: The Display, Gemini, Beyond Twelve – Melbourne

At the time of its premiere in 1964 The Display shocked its audiences. Highly sexualized, violent and thoroughly modern, the ballet divided audiences and critics. But, seen in the context of Helpman’s life, the choices within the work begin to make sense.

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