"Sharon Eyal" tag
Rambert2: Salome Pressac in Killer Pig.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Sampled, 2019 – London

★★★✰✰   Once a year Sadler’s Wells puts on Sampled, a pick and mix of the types of dance you might see at the venue. The front stalls seats are taken out, and standing in that area is only a fiver, with cheap tickets in general.

Thomas Bieszka in In the Middle, Somewhat Elevated.© Foteini Christofilopoulou. (Click image for larger version)

Memorable Performances of 2018 – London

Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.

Aishwarya Raut and Conor Kerrigan in E2 7SD by Rafael Bonachela.© Foteini Christofilopoulou. (Click image for larger version)

Rambert2 + Rambert – Grey Matter, E2 7SD, Killer Pig, Ghost Dances – London

★★★★✰   Rambert’s latest programme is a night of hellos and goodbyes, marking the debut of the company’s new standalone junior faction, Rambert2, as well the final performance of a repertory favourite, Christopher Bruce’s Ghost Dances.

Meshach Henry, Imogen Alvares, Conor Kerrigan, Antonello Sangirardi and Darlyn Perez in Killer Pig by Sharon Eyal & Gai Behar.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert2 in E2 7SD, Killer Pig, Grey Matter

Works by Benoit Swan Pouffer, Rafael Bonachela and Sharon Eyal/Gai Behar, photographed by Foteini Christofilopoulou…

National Youth Dance Company in Sharon Eyal's Used To Be Blonde.© Foteini Christofilopoulou. (Click image for larger version)

National Youth Dance Company – Used To Be Blonde – London

★★★★✰   The title is oblique, but the choreography is an explicit punch of intensity, fusing vigour and angularity with a velvety slinkiness.

National Youth Dance Company in Sharon Eyal's Used To Be Blonde.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – National Youth Dance Company in Sharon Eyal’s Used To Be Blonde

Gallery by Foteini Christofilopoulou…

Ballet British Columbia in Solo Echo.© Wendy D. (Click image for larger version)

Ballet British Columbia – 16+ a room, Solo Echo, Bill – London

★★★✰✰   Crystal Pite’s Solo Echo, originally made for Nederlands Dans Theater, was the undoubted highlight of the evening. Built around two Brahms sonatas…

Emily Molnar.© Michael Slobodian. (Click image for larger version)

Interview – Emily Molnar, Ballet British Columbia’s artistic director, on their work and UK tour

Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite…

Gilbert Small and Nicole Ward in 16+ a room by Emily Molnar.© Chris Randle. (Click image for larger version)

Ballet BC – 16+ a room, Solo Echo, Bill – New York

★★★✰✰   Have you ever left a performance of contemporary ballet desperate for some color, some light, some human warmth?

Andrew Bartee, Scott Fowler, Christoph von Riedemann, Alexis Fletcher, Emily Chessa, Kirsten Wicklund and Brandon Alley in Crystal Pite's Solo Echo.© Michael Slobodian. (Click image for larger version)

International Dance Festival Birmingham 2016 – Ballet BC, Shun Ito/Kei Miyata/EEIH, Motionhouse & free events

★★★✰✰   IDFB is great for Birmingham and I hope those in and around the city filled their boots.

Imre Van Opstal in Sara.© Rahi Rezvani. (Click image for larger version)

Nederlands Dans Theater 2 – I New Then, Shutters Shut, Sara, Subject to Change – New York

There are some companies that are always worth seeing just to watch them move: NDT is one of them, and NDT 2 – at the Joyce through Sunday – is no different.

NDT2 in Sol León and Paul Lightfoot's Shutters Shut.© Rahi Rezvani. (Click image for larger version)

Nederlands Dans Theater 2 – Postscript, Shutters Shut, Sara, I New Then – Edinburgh

Eclectic, fascinating choreography is danced with precision and passion by this fine-tuned company…

Kellie Epperheimer of Hubbard Street Dance Chicago performs in Azimuth.© Margo Moritz. (Click image for larger version)

Hubbard Street Dance – Little mortal jump, Azimuth, Too Beaucoup – San Francisco

The dancers are really top-notch, razor-edge precise and boundlessly energetic, but limited to an eclectic vocabulary reflecting a Nederlands Dans Theater aesthetic…

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