"Steve Reich" tag
Lani Dickinson and Yuko Monden Juma in Pita's Alice in Californiland.© David DeSilva. (Click image for larger version)

AXIS Dance Company – In•ter•twine, works by Arthur Pita, Jennifer Archibald & Robert Dekkers – San Francisco

★★★★★   AXIS, a bold and innovative leader in physically integrated dance, just presented their latest triple bill including two important premieres…

Thomas Lebrun's Another Look at Memory.© Frédéric Iovino. (Click image for larger version)

Thomas Lebrun – Another Look at Memory – London

★★★✰✰   ‘Another Look at Memory’ is a cool, precise, rigorous piece, set to Philip Glass’s choral work ‘Another Look at Harmony”, finding a language in dance and gesture which responds to, and reflects on, the music’s minimalism.

Rambert in Marion Motin's Rouge.© Johan Persson. (Click image for larger version)

Rambert – PreSentient, Rouge, In Your Rooms – London

★★★✰✰   The bill is a bold statement of intent – but a little underwhelming in reality.

Joshua Hariette and Monique Jonas in Brahms Hungarian.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Detour, Quartermark, Proverb, Brahms Hungarian – London

★★★★✰ Alston’s choreography is formal in that it has structure, style and steps, instead of resorting to running in circles. Its partnering etiquette is courteous rather than abusive.

Nicholas Bodych and Elly Braund in Carnaval.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Mid Century Modern, Carnaval, Cut and Run – London

★★★★★   It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.

American Ballet Theatre in I Feel The Earth Move.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Souvenir d’un Lieu Cher, I Feel the Earth Move, Daphnis and Chloe – New York

★★★✰✰   The choreographer and L.A. Dance Project director Benjamin Millepied is a mover and a shaker, a clever curator, a man of taste, a force in the dance world. But is he good choreographer?

Tiler Peck and the company in The Times Are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – American Rhapsody, The Four Temperaments, The Times Are Racing – Washington

★★★✰✰   To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.

Rosas in Rain.© Anne Van Aerschot. (Click image for larger version)

Anne Teresa De Keersmaeker / Rosas – Rain – London

★★★★★ It’s utterly captivating, full of unexpected, joyous exuberance.

Still from NYCB's promotional video for Justin Peck's The Decalogue.© NYCB. (Click image for larger version)

New York City Ballet – HERE/NOW Festival No. 6 & 8 including Peck’s The Decalogue (premiere) – New York

★★★✰✰   With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page…

Taylor Stanley in In Creases.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Justin Peck Quad bill – New York

★★★✰✰   Justin Peck is the it-boy at New York City Ballet, and it’s not hard to see why. At only 29, he has racked up an impressive number of ballets…

Matthew Ball and Marianela Nunez in Wayne McGregor's Multiverse.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wayne McGregor bill: Chroma, Multiverse, Carbon Life – London

★★★✰✰   Multiverse: McGregor and his dramaturg may know what they want to convey about life and the universe(s) but despite the dancers’ efforts, the result is baffling.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Cira Robinson and Mthuthuzeli November in Arthur Pita's Cristaux.© Dave Morgan. (Click image for larger version)

Ballet Black – Cristaux, To Begin, Begin, Storyville – London

★★★★✰   I’ve long admired Ballet Black’s efforts to make ballet a more accessible art form to both dancers and audiences who’ve historically been excluded from it.

Gregory Maqoma in Exit/Exist.© Laurent Philippe. (Click image for larger version)

Gregory Maqoma / Vuyani Dance Theatre – Exit / Exist – London

Exit / Exist is Gregory Maqoma’s reflections on the story of his ancestor, Chief Maqoma, who faced up to the British in South Africa in the 19th century…

Georgina Pazcoguin and Meagan Mann in Justin Peck's New Blood, in costumes by Humberto Leon of Opening Ceremony and Kenzo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala, with 4 premieres – New York

Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…

New York Theatre Ballet in Ashton's Capriol Suite.© Yi-Chun Wu. (Click image for larger version)

New York Theatre Ballet – Capriol Suite, Two Timing, Cat’s Cradle, Such Longing, Dark Elegies – New York

The program presented at St. Mark’s this past week reflects all of these positive developments; even more, it seemed infused with a new sense of assurance and identity.

Baltic Dance Theatre in Jiri Kylian's Falling Angels.© K. Mystkowski. (Click image for larger version)

Baltic Dance Theatre – Netherlands bills 1 & 2 – Gdansk

Baltic Dance Theatre have just presented two Netherlands inspired nights of dance with local premieres by Izadora Weiss (director), Jiri Kylian and Patrick Delcroix. Graham Watts with a comprehensive report…

Rosas in Elena's Aria.© Herman Sorgeloos. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Elena’s Aria and Bartok/Mikrokosmos – New York

…I think it’s safe to say that she is an artist who follows her obsessions with a tenacity that is both admirable and frequently defeating.

Rosas in Rosas danst Rosas.© Herman Sorgeloos. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Rosas danst Rosas – New York

Watching Rosas danst Rosas this weekend it was easy to understand why it still stands as a prime example of De Keersmaeker’s choreographic approach.

Anne Teresa De Keersmaeker and Tale Dolven in Fase, Four Movements to the Music of Steve Reich.© Stephanie Berger. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Fase – New York

Reich’s score is, of course, a constant pulse. De Keersmaeker provides no rest for the senses. She matches Reich in density and motion. It is mimicry of the highest order.

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