"Symphony in C" tag
Ashley Bouder and NYCB in George Balanchine's Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon and Symphony in C – Washington

Oksana Khadarina reviews the Serenade, Agon and Symphony in C bill – prepare for many happy adjectives and lots of history…

New York City Ballet in Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Harlequinade – New York

If Harlequinade is somewhat less than the sum of its parts, Square Dance (1957), which preceded it on the program, never fails to lift the heart.

Ashley Bouder in Donizetti Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon, Symphony in C, Donizetti Variations, La Valse, Chaconne – New York

In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.

Ida Praetorius, Christina Michanek and Amalie Adrian in Act 3 of Napoli.© Costin Radu. (Click image for larger version)

Royal Danish Ballet – Napoli – Copenhagen

Most of this run of performances was sold out, or very nearly so, so the Copenhagen audience evidently appreciates what Hubbe is doing. To me, though, this latest revision of Napoli felt like a step too far…

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Sara Mearns and Adrian Danchig-Waring in Liam Scarlett's Acheron.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron (Scarlett premiere), Vespro, Spectral Evidence – New York

Acheron, Liam Scarlett’s new piece, revealed a choreographer of prodigious imagination and compositional craft, adept at building an atmosphere and suffusing it with traces of meaning.

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Balletic Musings, a Continuing Conversation

Do you perceive a difference between the musicality of American dancers and that of Russian dancers? AR: There is a huge difference in the musicality. I often found Russian dancers unmusical… But they have other qualities…

Hee Seo in Romeo and Juliet.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet – New York

American Ballet Theatre are dancing Kenneth MacMillan’s Romeo and Juliet. Marina Harss reviews 2 casts: Polina Semionova / David Hallberg and Roberto Bolle / Hee Seo…

Mark Morris Dance Group perfoms Excursions at Libbey Bowl on June 7, 2013 in Ojai, California.© Timothy Norris. (Click image for larger version)

Mark Morris Dance Group at the Ojai Music Festival – California

The festival elects a guest director each year; Morris is the first choreographer to get the job. The seemingly ubiquitous Morris has now taken to calling the current season “my festival”; he’s only half kidding…

The Raven Girl and the Raven Prince (Sarah Lamb, Eric Underwood) in Wayne McGregor's Raven Girl.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Raven Girl, Symphony in C – London

At this stage, Raven Girl seems a work in transition. Its longueurs need tightening, an inexplicable ‘19th century couple’excised, solos for important characters expanded, and more light thrown on the goings-on.

Sarah Lamb in Raven Girl.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Raven Girl / Symphony in C

6 pictures by Dave Morgan…

Julie Kent in A Month in the Country.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – A Month in the Country premiere and bill – New York

Has there ever been a more sensitive, sympathetic chronicler of that inner flutter brought on by the onset of love than Frederick Ashton? It seems unlikely, on the evidence of ABT’s premiere of A Month in the Country…

© Dance Open

International Ballet Festival 2013 – Dance Open – St Petersburg

The 12th International Ballet Festival – Dance Open – was held over 4 days in St Petersburg. Margaret Willis (our Ms Expressivity) was there to report on much ballet and not a little award giving…

Julie Kent and Roberto Bolle in Marcelo Gomes' Apothéose.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.

Jeffrey Cirio in Wayne McGregor’s Chroma.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Chroma, Serenade, Symphony in C – Boston

Chroma: Perhaps it’s meant as a kind of sherbet to clear the palate between the Balanchine pieces… In short, I found the ballet dazzling but soulless.

Veronika Part and Roberto Bolle in Symphony #9.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Symphony in C, Moor’s Pavane, Symphony #9 – Washington

…with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Peter Boal.© Angela Sterling. (Click image for larger version)

Peter Boal – Pacific Northwest Ballet – Artistic Director

So how long does he see himself staying on the far side of America? “Well, I am just about to sign another six year contract,” he grinned…

Nancy Reynolds interviewing Edward Villella about Tarantella and Rubies, GBF Video Archives, 2008.© Nancy Reynolds. (Click image for larger version)

Nancy Reynolds – George Balanchine Foundation – Director of Research

An in-depth interview with the lady who helps bring Balanchine back…

Benjamin Millepied.© Alexander Wagner. (Click image for larger version)

L.A. Dance Project – Moving Parts, Winterbranch, Quintett – New York

It’s always been clear that Millepied is a man of intelligence and taste.

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