"The Judas Tree" tag
Yorke Dance Project in Kenneth MacMillan's Playground.© Pari Naderi. (Click image for larger version)

Yorke Dance Project – Twenty: Playground, Between and Within, Communion, Imprint – London

★★★★✰   By swelling the numbers of her small touring company, Yolande Yorke-Edgell was able to mount a revival of Kenneth MacMillan’s Playground and a 10-strong ensemble for Robert Cohan’s Communion. The programme also included new works by Sophia Stoller and Yorke-Edgell herself.

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

MacMillan Celebrations – Gloria (NB), The Judas Tree (RB), Elite Syncopations (RB+Guests) – London

★★★★✰   Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role…

Thiago Soares and Lauren Cuthbertson in The Judas Tree.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

MacMillan Celebrations – The Judas Tree (RB), The Song of the Earth (ENB) – London

★★★★✰   The second programme commemorating the 25th anniversary of Kenneth MacMillan’s death revealed his very different responses to music, and to human nature.

Lauren Cuthbertson, Edward Watson and Thiago Soares in The Judas Tree.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Judas Tree

Gallery by Dave Morgan…

Scottish Ballet in Crystal Pite's Emergence.© Foteini Christofilopoulou. (Click image for larger version)

Scottish Ballet – Emergence, MC 14/22 (Ceci est mon corps) – London

★★★★✰   Both are pre-existing ensemble works, the performers virtually anonymous on stage, though named on cast sheets: the company is the star, not the soloists.

Viviana Durante.© David Scheinmann, courtesy Viviana Durante. (Click image for larger version)

Interview – Viviana Durante: Ballerina, mother, teacher and coach of MacMillan’s Anastasia

One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante’s leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she’s back at the Royal Opera House, this time to coach MacMillan’s Anastasia, which is where Jann Parry caught up with her…

Delia Mathews (The Suicide) and Cesar Morales (The Stranger) in Miracle in the Gorbals.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – La Fin du jour, Miracle in the Gorbals, Flowers of the Forest – London

Gillian Lynne has made Helpmann and Benthall’s wartime collaboration into a gutsy dramatic ballet, probably with more choreography than Helpmann attempted.

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