"The Leaves are Fading" tag
Natalia Osipova and Jason Kittelberger in Six Years Later.© Johan Persson. (Click image for larger version)

Natalia Osipova – Pure Dance bill – London

★★★✰✰   Once again, Osipova gave it her all – and Osipova’s all is quite something to behold.

Natalia Osipova and David Hallberg in Ratmansky’s Valse Triste.© Johan Persson. (Click image for larger version)

Natalia Osipova – Pure Dance bill – New York

★★★✰✰   So, is Pure Dance a success? It depends on what you’re looking for. Osipova is as exciting, and as powerful, a dancer as ever. Among the commissions, only Valse Triste and Flutter are worthy of further exploration…

Natalia Osipova in in the studio preparing for Pure Dance.© Alastair Muir. (Click image for larger version)

Natalia Osipova – Pure Dance – London

★★★✰✰   No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…

Students of ABT’s Jacqueline Kennedy Onassis School in Garden of Dreams.© Teresa Wood. (Click image for larger version)

Ballet Across America – Opening Night Celebration 2017 – Washington

★★★★✰   Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month…

Alessandra Ferri and Francesca Hayward in the I Now, I Then section of Woolf Works.© Tristam Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

★★★✰✰   The ballet’s narrative interest depends on the dancer, and both performers are magnificent – different in tone and physicality, though not markedly so.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Joseph Gorak in Études.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – 75th Anniversary Gala – New York

American Ballet Theatre know how to do a Gala and this was their 75th Anniversary as well – Everybody seemed to have a good time says Marina Harss…

Natalia Osipova and Edward Watson in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

Woolf Works is a chimera, an illusory creation made up of disparate elements…

San Francisco Ballet in Liam Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Caprice, Hummingbird, Symphonic Dances – Paris

Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

Kristi Boone in In the Upper Room.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Drink, Cruel World, Stars/Stripes, Rodeo, Pavane, Upper Room – New York

The highlight of the gala was the seventieth-anniversary performance of Agnes De Mille’s Rodeo, preceded by a short film describing its creation, with archival footage of the hilariously histrionic, diminutive choreographer.

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