San Francisco Ballet – Dance Innovations, Big Hunger (premiere) bill – San Francisco
★★★✰✰ There were parts I adored and elements that didn’t resonate as much.
San Francisco Ballet – Program 2, Classical Re(Vision) bill – San Francisco
★★★★✰ San Francisco Ballet’s Program 2 was dubbed Classical Re(Vision) – a remembering of and reconnection with choreography in SFB’s existing repertory catalogue.
Interview: Trey McIntyre on creating The Big Hunger for San Francisco Ballet
Trey McIntyre talks to Claudia Bauer about creating “The Big Hunger” for San Francisco Ballet – to some particularly devilish Prokofiev it explores the little and big hungers of life and is premiered this week, on 13 February 2020.
San Francisco Ballet – The Infinite Ocean, Snowblind, Björk Ballet – London
★★★★✰ Ballet companies across the globe are in a new age of commissioning …but none can match the pioneering zeal of this, the oldest American ballet company.
San Francisco Ballet – Your Flesh Shall Be a Great Poem, Bound To, “…two united in a single soul…” – San Francisco
★★★✰✰ Program 5, titled Lyric Voices, welcomed back Trey McIntyre’s Your Flesh Shall Be a Great Poem and Christopher Wheeldon’s Bound To and the new work came from Yuri Possokhov…
Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…
Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…
San Francisco Ballet – Divertimento No. 15, Appassionata, Hurry Up, We’re Dreaming – San Francisco
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
Amy Seiwert’s Imagery – SKETCH 8: Origin Stories – San Francisco
★★★✰✰ Whether walking through space, cycling through a gestural sequence or dancing a technically demanding phrase the dancers were a real joy to watch. The choreography on the other hand, was more of a mixed bag.
Interview – Alexander Ekman & T.M. Rives on dance and film
“I think you’ve just got to dare to go there. It’s hard, it’s scary, but creation is always kind of scary in one way or the other. So I think you’ve just gotta have guts and go for it anyway.” Alexander Ekman.
Interview – Annabelle Lopez Ochoa on creating Guernica for SF Ballet’s Unbound Festival
“I don’t know if we can make the world a better place, but we can definitely have the audience think about it.”
San Francisco Ballet – Unbound Festival Program D: works by Edwaard Liang, Dwight Rhoden, Arthur Pita – San Francisco
★★★★★ A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.
San Francisco Ballet – Unbound Festival Program C: works by Stanton Welch, Trey McIntyre, Annabelle Lopez Ochoa – San Francisco
★★★★✰ Program C’s offerings spanned the choreographic spectrum, from pure movement to narrative threads to inventive theatricality. Every work on the bill impressed with its freshness and ingenuity.
San Francisco Ballet – Unbound Festival Program B: works by Myles Thatcher, Cathy Marston, David Dawson – San Francisco
★★★✰✰ Snowblind is a great narrative ballet – the source material is striking and Marston’s interpretation of it, equally so.
San Francisco Ballet – Unbound Festival Program A: works by Alonzo King, Christopher Wheeldon, Justin Peck – San Francisco
★★★★✰ If Helgi Tomasson was hoping that Unbound: A Festival of New Works would generate heated debate on the state of ballet today, his wish has already been fulfilled just one night into the massive festival…
