"Vaslav Nijinsky" tag
Liam Riddick (Richard Alston Dance Company) in Robert Cohan's Sigh.© Camilla Greenwell. (Click image for larger version)

Robert Cohan at 90 – Gala evening at The Place – London

The opening and closing pieces showed how skilfully Cohan responds to dancers whose training and experience are very different from the Graham-based technique on which he drew for many decades.

Mariinsky Ballet in Le Sacre du Printemps.© Natasha Razina. (Click image for larger version

Mariinsky Ballet – Le Sacre du Printemps, Le Spectre de la Rose, The Swan, Paquita Grand Pas – Washington

In all, this was a tremendously entertaining and well-received program; but at the same time it left an unsettling impression that the Russian company is holding on to its eminent past with all its might, relying heavily on well-worn

Lublin Dance Theatre in All stories, which we have not told before with Beata Mysiak and Ryszard Kalinowski.© Jakub Wittchen. (Click image for larger version)

Polish Dance Platform – Lublin 2014

A first for DanceTabs in covering the Polish Dance Platform event – 3 days of contemporary dance and big thinking in Lublin. Lucy Ribchester, who has covered much dance at the Edinburgh festivals, reports on a wide ranging event…

The Lost Rite book cover - drawing by Millicent Hodson.© KMS Press and Millicent Hodson. (Click image for larger version)

The Lost Rite – Millicent Hodson and Kenneth Archer document ‘their’ Rite of Spring in a newly released book

Kenneth Archer and Millicent Hodson have contributed a number of articles to DanceTabs and before that ballet.co.uk. Their last piece, on ‘Jeux’ reaching its centenary in 2013, can be found here and includes…

Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Paul White in the studio preparing Anatomy of an Afternoon.© Paul Hyde. (Click image for larger version)

Paul White – Dancer, Collaborator, Lecturer and Choreographer

5 Questions to Paul White. Last year Australian Paul White danced at the Southbank Centre in Meryl Tankard’s ‘The Oracle’ and won a UK National Dance Award for Outstanding Performance. This week he dances in a new piece at the Southbank – another winner? We catch up with him…

Marjin Rademaker and Edward Watson in Javier de Frutos' 3 with D.© Dave Morgan. (Click image for larger version)

Ivan Putrov – Men in Motion (2014) – London

…the men Ivan Putrov has chosen for his latest Men in Motion programme are exceptional dance-interpreters, not self-glorifiers…

Unknown dancers in unknown piece from the 2013 bill Still / Current (also known as Still Current).© Warren Du Preez & Nick Thornton Jones. (Click image for larger version)

Russell Maliphant Company – Still Current bill – London

Still / Current is a marvellously evocative title for Maliphant’s work, capturing the mercurially elusive quality of his choreography and his own dancing. And the good news is that Maliphant is back on stage…

Alexandra Timofeyeva and Ilya Kuznetsov in The Firebird.© Valeria Komissarova. (Click image for larger version)

Les Saisons Russes of XXI Century – Le Spectre de la rose, Firebird, Scheherazade – London

But altogether, this was an evening of historical curios that lacked consistent vibrancy.

Valentine Gross pastel of the original trio in “the fountain” grouping, 1913. First published in Comoedia Illustré, the souvenir programme of Diaghilev’s Ballets Russes. From Millicent Hodson, Nijinsky's Bloomsbury Ballet, Jeux (Pendragon, New York, 2008), p. 8. (Click image for larger version)

Games People Play: ‘Jeux’ Young at 100

Nijinsky’s ‘Jeux’, like ‘Rite’, is in its centenary year – lesser known it may be but Archer & Hodson give fascinating detail on its creation and the thought that went into putting on, at UNCSA, their reconstructed version earlier this year.

Paul White in Meryl Tankard's The Oracle.© Regis Lansac. (Click image for larger version)

Meryl Tankard – The Oracle – London

It’s a virtuoso accomplishment by all the collaborators. …But Stravinsky’s score in this melodramatic recording, conducted by Kent Nagano, is too huge for a single figure.

Russian Ballet Icons – Nijinsky Gala – London

Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux – depended on which dancers were available to perform whatever was in their repertoire.

Jennifer Stahl, Garen Scribner and James Sofranko in Possokhov's The Rite of Spring.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Guide to Strange Places, Beaux, Rite of Spring – San Francisco

Possokhov’s Rite of Spring is a mixture of mostly good choices with a few that seem rather odd to me.

Vaslav Nijinsky as the Golden Slave in ScheherazadeCourtesy of Dancing Times. (Click image for larger version)

Russian Ballet Icons Gala 2013 dedicated to Nijinsky – 10 March, London

On Sunday 10 March the Russian Ballet Icons Gala, this year dedicated to the legendary Vaslav Nijinsky, will take place at the London Coliseum.

Hélène Bouchet, Alexandre Riabko and Carsten Jung in Neumeier's Nijinsky.© Erik Tomasson. (Click image for larger version)

Hamburg Ballet – Nijinsky – San Francisco

It’s Valentine’s Day and I wish I could write a “love letter” review to the Hamburg Ballet. I am not being sentimental – this company is full of incredible dancers, from principals to corps de ballet…

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