"Victoria and Albert Museum" tag
Anna Rose O’Sullivan, Ann Whitley and Merle Park at the Voices of Spring masterclass.© Rachel Hollings. (Click image for larger version)

Feature – Ashton Rediscovered Masterclass: Voices of Spring, coached by Merle Park and Wayne Eagling

For anyone with an interest in the machinations of bringing a difficult pas de deux to performance standard, this was an experience to cherish.

Richard Alston Dance Company in Voices and Light Footsteps.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Final Edition – London

★★★★✰   8th March at Sadler’s Wells was the last time we were able to see Richard Alston’s work performed by his own company of dancers. Jann Parry with a full and perceptive review of Alston’s latest work and last company show.

Foyer de danse: Ginevra Zambon and Kevin Emerton with Ursula Hageli.© Rachel Thomas. (Click image for larger version)

Feature – Ashton Rediscovered Masterclass: Foyer de danse and the Le Papillon solo

Ashton Rediscovered Masterclass: “Foyer de danse”, coached by Ursula Hageli & Christopher Newton, and the “Le Papillon” solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..

Monica Mason and Lorraine Gregory consulting the notation.© Dave Morgan. (Click image for larger version)

Feature – Ashton Foundation Masterclass with Monica Mason coaching the Spanish Dance from Swan Lake and the Fairy of Joy from Sleeping Beauty

February’s masterclass, the fifth in the series, featured choreography from the start and end of Frederick Ashton’s tenure as artistic director of the Royal Ballet, 1963-1969.

Le Rossignol masterclass: Anna Rose O’Sullivan and William Bracewell with Anthony Dowell.© Rachel Thomas. (Click image for larger version)

Feature – Frederick Ashton’s choreography for Le Rossignol – a masterclass with Sir Anthony Dowell

The Metropolitan Opera in New York staged “Le Rossignol” in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth… the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit…

Robert Helpmann offstage. Courtesy and © The Royal Ballet School Collections, White Lodge Museum. (Click image for larger version)

The Many Faces of Robert Helpmann Symposium – London

Eighty years after Robert Helpmann left Australia and joined the Sadler’s Wells Ballet company, a Royal Ballet School symposium celebrated his achievements as a man of the theatre.

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