Martha Clarke.© Martha Clarke, courtesy the Royal Opera House.

Martha Clarke – Director and Choreographer, on Chéri

Martha Clarke talks to Jann Parry about Chéri – at the ROH Linbury Studio Theatre, 29 Sept – 4 Oct 2015…

Dane Hurst.© Tom Rowland. (Click image for larger version)

Dane Hurst – Choreographer, dancer with Rambert, talking about his Dulwich Picture Gallery Commission

To link with their exhibition of life drawings by Pierre-Paul Prud’hon, Dulwich Picture Gallery are bringing the gallery to life with live music, live drawing and dance, which Dane Hurst is masterminding….

Sophie Laplane.© Christina Riley. (Click image for larger version)

Sophie Laplane – Choreographer and Dancer, Scottish Ballet

5 Questions to Sophie Laplane on her latest work for Scottish Ballet – Maze…

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Dawid Trzensimiech.© Opera National Bucharest. (Click image for larger version)

Dawid Trzensimiech – Principal, Romanian National Ballet

Graham Watts talks to an ex-RB Soloist doing well as a Principal at Romanian National Ballet…

Kathleen Breen Combes.© Liza Voll. (Click image for larger version)

Kathleen Breen Combes – Principal, Boston Ballet

I was told my body type wasn’t really ideal, and during high school I had ballet teachers who said that maybe I should consider pursuing college because my body wasn’t suitable for classical ballet…

Dores André.© Chris Hardy. (Click image for larger version)

Dores André – Principal, San Francisco Ballet

If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

Jonathan Watkins.© Johan Persson. (Click image for larger version)

Jonathan Watkins – Choreographer, on his new 1984 for Northern Ballet

5 Questions to Jonathan Watkins about his new 1984 for Northern Ballet – premiering 5 September in Leeds…

Martina Bussi.© Motionhouse. (Click image for larger version)

Martina Bussi – Motionhouse dancer on Dancing with Diggers in Fragile

It’s always very exciting working with the company because you get to do things dancers wouldn’t normally do….

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Jane Hackett.© Jane Hackett. (Click image for larger version)

Interview – Jane Hackett, Director of National Youth Dance Company

Sara Veale catches up with Jane Hackett, director of National Youth Dance Company, ahead of NYDC’s performance at Latitude Festival on 19 July.

Marcelo Gomes.© and click image for larger version

Marcelo Gomes – Principal Dancer and Choreographer, on London’s Ardani Gala and The Car Man

Marcelo Gomes, American Ballet Theatre’s much-admired star is about to be busy on other things and in London too. He’ll be staring in The Car Men but first we see him dance in his own choreography at the Ardani Gala 17/18 July. 5 Questions to him…

Doug Fullington, in the studio with Marian Smith, working on Giselle at Pacific Northwest Ballet.© Angela Sterling. (Click image for larger version)

Doug Fullington – on Stepanov Notation

Some of the great 19 century Russian ballet classics were recorded in Stepanov notation – Doug Fullington is one of the few people in the world who can understand Stepanov’s hieroglyphics and what they represent for those looking to do justice to the past…

Tamara Rojo.© Johan Persson. (Click image for larger version)

Tamara Rojo – Director and Principal Dancer, English National Ballet – in her own words

It was only when I worked with Mats Ek that I understood who I was as a dancer.

Freya Jeffs.© Chris Redgrave. (Click image for larger version)

Freya Jeffs – dancer, collaborator and Curator of the Cottier Dance Project

5 Questions to Freya Jeffs – curator of Glasgow’s Cottier Dance Project, which runs from 19th-26th June…

Kenneth Tindall.© Simon Lawson . (Click image for larger version)

Kenneth Tindall – Choreographer, on his new work, The Architect

5 Questions to Kenneth Tindall on The Architect, about to receive its London premiere at the Royal Opera House, and also talking about his decision to stop dancing and become a freelance choreographer…

Vadim Muntagirov and Laura Morera in La Fille mal gardée.© ROH, Tristram Kenton (Click image for larger version)

Laura Morera & Vadim Muntagirov – Royal Ballet Principals, on La Fille mal gardée

Jann Parry talks to Laura Morera and Vadim Muntagirov about all things La Fille mal gardée and a few other things too…

Rosie Kay in the studio.© Tim Cross. (Click image for larger version)

Rosie Kay – Choreographer and Company Director, talking about the return of 5 Soldiers

5 Questions for Rosie Kay on the-up-and-coming national tour of ‘5 SOLDIERS: The Body is the Frontline’ – her powerful piece about war and those who fight for us.

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