"Bennet Gartside" tag

MacMillan Celebrations – Gloria (NB), The Judas Tree (RB), Elite Syncopations (RB+Guests) – London

★★★★✰   Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role…

News – Royal Ballet Promotions, Joiners and Leavers, 2017/18 Season

Hightlight – Yasmine Nagdhi promoted to Principal dancer. Full press release with all Promotions, Joiners and Leavers

Tristan Dyer, Yuhui Choe, Vadim Muntagirov, Marianela Nunez, James Hay and Yasmine Naghdi in Symphonic Variations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Dream, Symphonic Variations, Marguerite and Armand

An all Frederick Ashton bill. Gallery by Dave Morgan…

Thomas Whitehead in Liam Scarlett's Frankenstein.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★★✰✰   Liam Scarlett treats Mary Shelley’s 1818 gothic horror novel, Frankenstein, as essentially a domestic drama.

Sarah Lamb and Steven McRae in Romeo and Juliet.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Romeo and Juliet – London (Lamb / McRae)

…a production that continues to set the standard against which later versions are measured.

Tristan Dyer in Liam Scarlett’s The Age of Anxiety.© ROH, 2014. Photographed by Bill Cooper. (Click image for larger version)

The Royal Ballet – Infra, Divertissements, The Age of Anxiety, The Dream, Song of the Earth – New York

These are dancers worth following in a wide repertory of works; it’s a shame to see them go while feeling we’ve barely gotten to know them better.

Marianela Nuñez and Nehemiah Kish in Song of the Earth.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Dream, Song of the Earth – New York

After an absence of eleven years, the Royal Ballet has finally returned to New York; they’re currently presenting two programs at the Koch Theatre,..

Sylvie Guillem and Russell Maliphant in Push, taken in 2005. From a John Ross Gallery of 6 images.© John Ross.

2014 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote – London

Royal Ballet Don Quixote London, Royal Opera House 25 November 2014 Gallery of pictures by Dave Morgan www.roh.org.uk New directors of old ballets are often tempted to make them relevant to today by…

Edward Watson, Beatriz Stix-Brunell and Alexander Campbell in Kim Brandstrup's Ceremony of Innocence.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ceremony of Innocence, The Age of Anxiety, Aeternum – London

The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.

Hannah Grennell in Unearthed.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Deloitte Ignite 2014, Royal Ballet and others – Sampling the Myth bill – London

The best of the videos and best piece of the night was Kim Brandstrup’s Leda and the Swan using the much-loved Zenaida Yanowsky and Tommy Franzen

Steven McRae (with Marcelino Sambe, Matthew Ball, Luca Acri and Tomas Mock) in Alastair Marriott's Connectome.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Dream, Connectome, Concert – London

In the Royal Ballet’s last programme for this season two old favourites frame the first performances of Alastair Marriott’s latest work, Connectome. It’s a well-balanced evening and gives the new piece every chance to shine.

Bohemia in Christopher Wheeldon's The Winter's Tale.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Winter’s Tale – London

Wheeldon has honed his craft in making a story ballet, much better constructed than his Alice in Wonderland. His core characters account for themselves in revealing solos and his pas de deux are no longer over-ingenious.

Lauren Cuthbertson in The Sleeping Beauty.© ROH / Johan Persson. (Click image for larger version)

Royal Ballet – The Sleeping Beauty – London

….thanks and admiration to Francesca Hayward for a blithe, swift Songbird Fairy, probably the most pleasing I’ve ever seen…

Leanne Cope and James Hay in Liam Scarlett's Hansel and Gretel.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Hansel and Gretel – London

…we get a cleverly staged and very well danced psychodrama, scary both in what we see and what we further imagine. There are, though, two fundamental problems which hold the piece back from complete success.

© Critics’ Circle National Dance Awards

2013 National Dance Awards – Winners Announced

The Critics’ Circle National Dance Awards for 2013 took place today in London at The Place’s Robin Howard Dance Theatre.

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Lauren Cuthbertson and Federico Bonelli in Romeo and Juliet.© ROH/Bill Cooper. (Click image for larger version)

Royal Ballet – Romeo and Juliet (Cuthbertson and Bonelli) – London

Cuthbertson isn’t one of those tiny doll-like Juliets who can get through the first scene on sweetness alone. Instead she gives hints of gaucheness …you’’d bet heavily against her wardrobe being mainly pink.

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote (Acosta production) – London

It’s especially challenging for the Royal Ballet, whose repertoire and style are built on the subtle understatement of Frederick Ashton and the deep psychological explorations of Kenneth MacMillan: hot-blooded Latin exuberance is not really their thing…

Andrej Uspenski.© Andrej Uspenski, courtesy the Royal Opera House. (Click image for larger version)

Andrej Uspenski – Photographer, Royal Ballet First Artist

Words with the man and thoughts on the Behind the Scenes at The Royal Ballet book from Graham Watts. Details of his next book too – on Natalia Osipova…

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