★★★✰✰ Last week’s performance, of a triple bill of Balanchine works, was as normal as anything could be in these abnormal times...
Tag - Gonzalo Garcia
★★★★✰ The final applause was as warm as I have ever heard it, tinged with gratitude, for the return of a spectacle at once so grand and so intimate...
★★★★✰ Marina Harss with thoughts/observations on La Valse, Other Dances, After the Rain pas de deux, Agon, Monumentum Pro Gesualdo, Movements for Piano and Orchestra and Chaconne.
★★★✰✰ New York City Ballet’s fall season in New York continues with Opus 19/The Dreamer (Robbins), Russian Seasons (Ratmansky) and Amaria - a new piece for Maria Kowroski, who is about to retire from the company, by Mauro Bigonzetti.
★★★★✰ Program 2 features dancers and works from Alvin Ailey American Dance Theater, New York City Ballet, Dance Theatre of Harlem and American Ballet Theatre
★★★★★ ...a satisfying film in which dance is treated as a work of art, like a painting or a sculpture that moves. New York City Ballet’s virtual spring gala is the most successful version of this approach I’ve seen.
★★★✰✰ In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck...
I don’t really believe in lists, but it’s admittedly fun to look back over the year and reflect on moments that have stayed with me. So here they are, in no particular order…
★★★✰✰ Robbins’ response to Chopin (in Dances at a Gathering) is also extraordinary: sensitive, simple, vulnerable, direct, un-fussy.
★★★★✰ For Balanchine, Shakespeare’s characters are two-dimensional types, exemplary but wholly unreal. They are shadows in a shadow-play, representing this or that quality...
★★★✰✰ Opus 19 feels at once nostalgic, mysterious and dreamy...
★★★★✰ Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.
★★★★✰ There has been a generational shift at New York City Ballet, that much was clear last night in a program of Stravinsky ballets that included two major débuts and several smaller ones...
★★★✰✰ At New York City Ballet, the fall fashion gala has become a showcase for work by young choreographers. Each one is paired up with a fashion designer and voilà, it’s an event.
★★★✰✰ To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.
★★★✰✰ With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page...
★★★★✰ The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.
★★★★✰ Vienna Waltzes is a sure-fire hit. It seduces on many fronts: the ridiculously flattering gowns by Karinska (her last for the company), the sumptuous music, the multitudes of dancers...
★★★✰✰ In his staging of La Sylphide, Martins not only removes the intermission, thus shortening the performance time, he also accelerates the pace of the events. It feels as if the story rushes at you with...
★★★★✰ Some nights at the ballet you just get lucky: all the works are beautiful and the program is well balanced, and each of the casts is led by a ballerina who seems just right for the role.