"Jenna Roberts" tag
Tzu-Chao Chou in ‘Still Life’ at the Penguin Café.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Arcadia, Le Baiser de la fée, ‘Still Life’ at the Penguin Café – London

★★✰✰✰   Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.

Birmingham Royal Ballet – Aladdin – London

★★★✰✰   Aladdin never fully finds its feet, but there’s a lot to like about the show, from the cheery group numbers to the striking visuals.

Constance Devernay and Sophie Martin in Le Baiser de la fee (The Fairy's Kiss).© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

MacMillan Celebrations – Le Baiser de la fee (SB), Concerto (BRB), Jeux (RB) – London

  In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, “Le Baiser de la fée” intrigued me because the questions it posed about his development as a choreographer…

Yijing Zhang, Céline Gittens, Matthias Dingman and Tyrone Singleton in Jessica Lang’s Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – London

★★★★✰   Wink, best seen from above, is a valuable addition to BRB’s repertoire. So is José Limon’s The Moor’s Pavane, created in 1949.

Iain Mackay (Prospero) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest – London

★★★✰✰   Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated…

Tyrone Singleton (Caliban) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest (premiere) – Birmingham

★★★✰✰   In a nutshell Bintley’s Tempest is a visual triumph but feels slight choreographically and you’d be well advised to mug up on the story before seeing it.

Joseph Caley (Ferdinand) and Jenna Roberts (Miranda) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in The Tempest

Gallery by Dave Morgan…

Jenna Roberts in David Bintley's Carmina burana.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in Carmina burana

As David Bintley celebrates 20 years at the helm of BRB the company celebrates by reviving his first piece for them – the magnificent Carmina burana. Gallery by Dave Morgan…

Birmingham Royal Ballet in Kin.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Les Rendezvous, Kin., Elite Syncopations – High Wycombe

I was suitably sent home happy.

Jenna Roberts in Alexander Whitley's Kin.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet at IDFB 2014 – Quatrain, Kin., Façade – Birmingham

Choreographically Alexander Whitley’s ‘Kin.’ was probably the best new thing I’ve seen BRB premiere these last 4 years…

Artists of Birmingham Royal Ballet as Yokai in The Prince of the Pagodas.© Roy Smiljanic. (Click image for larger version)

Birmingham Royal Ballet – Prince of the Pagodas (Bracewell/Roberts) – London

One of Bintley’s other notable commitments as Director is the rapid development of young dancers. For a graduating dance student, hungry for big roles, BRB is the company to aim for….

Marion Tait as Carabosse in The Sleeping Beauty.© Roy Smiljanic. (Click image for larger version)

Birmingham Royal Ballet – The Sleeping Beauty – London

…it’s actually a real pleasure to watch a company just working together for the good of the ballet.

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Birmingham Royal Ballet – Promotions, Joiners and Leavers – July 2012

Media Release: Tuesday 10 July 2012 BIRMINGHAM ROYAL BALLET ANNOUNCEMENTS JULY 2012 At the end of the 2011/2012 Season, Birmingham Royal Ballet is able to announce the following: Jenna Roberts is promoted from…

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