"Patricia Okenwa" tag
Ann Liebeck, Vanessa Kang, Anna Borini and Winifred Burnet-Smith in Stabat Mater.© Stephen Wright. (Click image for larger version)

Gallery – Patricia Okenwa Dance in Stabat Mater

Gallery by Stephen Wright – from the Operaestate Festival at Bassano del Grappa in Northern Italy.

Rambert in Malgorzata Dzierzon's Flight.© Johan Persson. (Click image for larger version)

Rambert – Contemporaries: Flight, Frames, Hydrargyrum – London

★★★✰✰   Malgorzata Dzierzon, Patricia Okenwa and Alexander Whitley are all at different stages of their emergence as choreographers. Each of them has progressed with the active support of Rambert’s choreographic development programme…

Edit Domoszlai in Hydrargyrum.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert in Hydrargyrum by Patricia Okenwa

Gallery by Foteini Christofilopoulou…

Miguel Altunaga, Vanessa Kang, Edit Domoszlai and Jacob O'Connell in Patricia Okenwa's Hydrargyrum.© Stephen Wright. (Click image for larger version)

Gallery – Rambert in Hydrargyrum

Gallery by Stephen Wright…

Jonathan Goddard, Patricia Okenwa, Clemmie Sveaas, Alexander Whitley and Joe Walkling in Collapse - a period drama.© Foteini Christofilopoulou. (Click image for larger version)

New Movement Collective – Collapse– a period drama – London

★★★★✰   The performers need the sharpest of reactions to deal with the unexpected, negotiating routes through bemused and bedazzled spectators.

Alexander Whitley in Collapse - a period drama.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – New Movement Collective in Collapse – a period drama

Gallery by Foteini Christofilopoulou…

Rambert in Patricia Okenwa's Hydrargyrum.© Tristram Kenton. (Click image for larger version)

Rambert – Hydrargyrum, The 3 Dancers, Terra Incognita – Woking

★★★✰✰ I also note it was an all female choreographers bill – no big thing was made of this and that’s just where we all need to get to.

Estela Merlos and Stefano Rosato in Patricia Okenwa's II. Void.© Stephen Wright. (Click image for larger version)

Gallery – Rambert: New Choreography 2015

Gallery by Stephen Wright…

Latitude Festival© Marc Sethi. (Click image for larger version)

Dance at the Latitude Festival 2015 – Faraway Forest: A Weekend at Latitude

Dance at the Latitude Festival 2015 – Sara Veale with a full report…

Rambert in Patricia Okenwa's No 1 Convergence.© Dave Morgan. (Click image for larger version)

Rambert – New Choreography, works by Ahmet, Damberg Wurtz, Hurst, Okenwa, Tappon – London

Featuring works by Rambert dancers Patricia Okenwa, Luke Ahmet, Simone Damberg Wurtz, Dane Hurst and Pierre Tappon.

Daniel Davidson and Edit Domoszlai in Simone Damberg Wurtz's RIFT.© Dave Morgan. (Click image for larger version)

Gallery – Rambert: New Choreography 2014

Featuring works by Rambert dancers Luke Ahmet, Simone Damberg Wurtz, Dane Hurst, Patricia Okenwa and Pierre Tappon. Gallery by Dave Morgan.

Dane Hurst.© Chris Nash. (Click image for larger version)

Dane Hurst – Dancer and Choreographer, on Rambert’s New Choreography bill

“Turn every disadvantage into an advantage.” This is the advice Dane Hurst has for aspiring dancers looking for encouragement…

Hannah Rudd in Malgorzata Dzierzon's Hikikomori.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – An Evening of New Choreography 2013 – London

Strongest to emerge was Dzierzon’s ‘Hikikomori’ apparently about social reclusiveness, though Dzierzon’s treatment of her theme was not didactic…

Hannah Rudd, Lucy Balfour, Mark Kimmett, Luke Ahmet and Adam Blyde in Dane Hurst's Reminiscence.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert in An Evening of New Choreography 2013

Gallery by Foteini Christofilopoulou…

Malgorzata Dzierzion, Renaud Wiser and Joe Walkling in Casting Traces.© Elliott Franks. (Click image for larger version)

New Movement Collective – Casting Traces – London

Half-hidden behind pillars or leaning against brick walls were isolated figures in Tyvek paper suits, nursing private angst, waiting their turn to claim our space. Sometimes only the dancers’ coloured outfits distinguished them from disoriented white-clad spectators, dazzled by beams of light.

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