"Pierre Tappon" tag
Liam Francis and Hannah Rudd in Ben Duke's Goat.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – A Linh Curva, Symbiosis, Goat – London

★★★★✰   There is a cocksure, swaggering confidence about this company and these dancers, in this programme.

Lucy Balfour and Luke Ahmet in The Creation.© Johan Persson. (Click image for larger version)

Rambert – The Creation – London

★★★★✰   This is the largest production yet mounted by Rambert – celebrating its 90th Anniversary, this year – accounting for over 110 performers, including 70 musicians and singers.

Rambert in Malgorzata Dzierzon's Flight.© Johan Persson. (Click image for larger version)

Rambert – Contemporaries: Flight, Frames, Hydrargyrum – London

★★★✰✰   Malgorzata Dzierzon, Patricia Okenwa and Alexander Whitley are all at different stages of their emergence as choreographers. Each of them has progressed with the active support of Rambert’s choreographic development programme…

Hannah Rudd and Pierre Tappon in Itzik Galili's A Linha Curva.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert in A Linha Curva

Gallery by Foteini Christofilopoulou…

Joel O’Donoghue and PJ Hurst in In Good Company by Joel & Pete, with Inky Cloak.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Place Resolution 2016: Pierre Tappon – Wall, Joel & Pete with Inky Cloak – In Good Company, The Company – Behind Every Man

Gallery by Foteini Christofilopoulou…

Estela Merlos and Stefano Rosato in Patricia Okenwa's II. Void.© Stephen Wright. (Click image for larger version)

Gallery – Rambert: New Choreography 2015

Gallery by Stephen Wright…

Lucy Balfour and Carolyn Bolton in rehearsals of Mark Baldwin's Dark Arteries.© Stephen Wright. (Click image for larger version)

Gallery – Mark Baldwin’s Dark Arteries – Behind the scenes at Sadler’s Wells

A unique gallery based on shooting behind the scenes over 3 days as Rambert made preparations for their latest premiere. Gallery by Stephen Wright.

Liam Francis and Brenda Lee Grech in Mark Baldwin's Dark Arteries.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – Frames, Four Elements, Dark Arteries – London

Rambert’s repertoire, under Baldwin’s direction, continues to divert and instruct in its combination of classic revivals and bold commissions.

Rambert in Patricia Okenwa's No 1 Convergence.© Dave Morgan. (Click image for larger version)

Rambert – New Choreography, works by Ahmet, Damberg Wurtz, Hurst, Okenwa, Tappon – London

Featuring works by Rambert dancers Patricia Okenwa, Luke Ahmet, Simone Damberg Wurtz, Dane Hurst and Pierre Tappon.

Daniel Davidson and Edit Domoszlai in Simone Damberg Wurtz's RIFT.© Dave Morgan. (Click image for larger version)

Gallery – Rambert: New Choreography 2014

Featuring works by Rambert dancers Luke Ahmet, Simone Damberg Wurtz, Dane Hurst, Patricia Okenwa and Pierre Tappon. Gallery by Dave Morgan.

Dane Hurst.© Chris Nash. (Click image for larger version)

Dane Hurst – Dancer and Choreographer, on Rambert’s New Choreography bill

“Turn every disadvantage into an advantage.” This is the advice Dane Hurst has for aspiring dancers looking for encouragement…

Hannah Rudd, Adam Blyde & Kym Sojourna in Mark Baldwin's The Strange Charm of Mother Nature. © Hugo Glendinning. (Click image for larger version)

Rambert – Subterrain, The Strange Charm of Mother Nature, Terra Incognita – London

By the end, I felt our journey of discovery had involved driving down one of those long, straight, interminable cross-American highways, with nothing but the same prairieland in view.

Pierre Tappon and Simone Damberg Würtz in Shobana Jeyasingh's Terra Incognita.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Rambert in Shobana Jeyasingh’s Terra Incognita

Gallery by Foteini Christofilopoulou…

Pierre Tapon, Nancy Nerantzi and Anelli Binder in Buzzing Round the Hunisuccle.© Tony Nandi. (Click image for larger version)

Richard Alston Dance Company – Buzzing Round the Hunisuccle premiere and bill – London

Alston’s response to music is scrupulous, but Kondo’s percussive clatters, not dissimilar to John Cage’s prepared-piano poundings, takes some getting used to – for audiences, as for dancers.

Nathan Goodman, Andres De Blust-Mommaerts and Liam Riddick in A Ceremony of Carols.© Tony Nandi. (Click image for larger version)

Richard Alston Dance Company – Roughcut, Unfinished Business, A Ceremony of Carols – New York

…it’s remarkable how satisfying the old-fashioned virtues of structure and form can be.

Nancy Nerantzi and Liam Riddick in Martin Lawrence's Madcap.© Dave Morgan. (Click image for larger version)

Richard Alston Dance Company – Shimmer, Madcap, Darknesse Visible, Isthmus – London

Alston is going to develop Isthmus, thank goodness, as soon as he has the opportunity – it’s a stunner.

Bob Lockyer's Birthday Bash at The Place - Bob with Kenneth Tharp OBE (Chief Executive, The Place). © Richard Thompson. (Click image for larger version)

Bob Lockyer’s Birthday Bash – London

Bob Lockyer must be truly proud of his birthday gift: not a dud amongst the commissions he has brought about, sending three young choreographers on their way to a promising future.

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