Margaret Willis has been busy: in St. Petersburg at the Dance Open Festival Gala and 2 days later in Moscow at the Soul of Dance Ballet Gala. And important awards were given at both...
Archive - May 2014
The idea behind the National Symphony Orchestra’s “NEW MOVES: symphony + dance” festival was ingenious and simple: to promote American contemporary music and to attract new audiences ...
But this is a really enterprising and unusual use of the Linbury space that leaves you with an intense curiosity to see what Whitley does next.
Featuring The Royal Ballet and Alexander Whitley Dance Company. Gallery by Foteini Christofilopoulou...
It's always good to get back to mixed programmes after one of the Royal Ballet's long runs of blockbusters, and better still when the first item on the bill is Balanchine's timeless Serenade.
James Welsby’s 'Hex', which premiered as part of the 2014 Next Wave Festival, can be read as a kind of bookend to Bill T. Jones 'Still/Here'. It has been informed by more than twenty years of queer activism...
Gallery by Dave Morgan…
The evening ended with Alexander Ekman’s Cacti, one of the most wildly original, hilarious dances I’ve ever seen. If the Keystone Cops had taken up ballet, this is what they’d have looked like.
The fact that I have now seen the show on four of its London seasons clearly reveals all that I need to say about my regard for its enjoyment quotient...
I thoroughly applaud the move to widen the choreographic vocabulary of what they present and I hope they can tour such a bill in future. A bravo to David Nixon (AD) and Mark Skipper (Chief Exec) for making this happen...
I’m clearly not cut out for naturism.
Gallery by Dave Morgan...
Justin Peck has gone from unknown corps-member to choreographer-of-the-moment in a blink of an eye. (He created his first piece for the company in 2012; this is his sixth.)
Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.
Dust off your spin jacket, dig out your favourite fitted cap and put on some fresh kicks - it's time for Sadler's Wells' annual festival of all things hip hop, Breakin' Convention. Now in its 11th year...
The 13th Dance Open Festival invited two European and very differently styled neo-classical-cum-modern companies – Malandain Ballet Biarritz and Dutch National Ballet - to perform as part of their celebrations in St. Petersburg.
There were two bright spots in a show calling out Fado without so much Fado - the dancing of Nuno Silva and Stephanie Dufresne.
The gala formula really worked. An eclectic selection of dances – six duets and three short ballets – offered something for almost every taste...
Boonham's second piece provided some compensation. The title, 'The Human Edge', provides the clue to this, perhaps - a piece with feelings and emotions to be communicated.
In New York we are lucky to see quite a bit of Indian classical dance. The local crowd has developed a taste for it, and thus has been spoiled with some memorable performances...